Phil's Superpower of Enthusiasm

Headphones, goldens, whiskey, and wine.

I’m experimenting with Amazon Affiliate status in an attempt to defray some of the costs of headphone reviews; Amazon links may be affiliate links (depending on whether or not I’ve figured out how to use them correctly). Please feel free to buy elsewhere; this is just one way to recoup the costs of this hobby.

  • Introduction

    A couple of years ago, towards the end of 2021, I started seeing a new phenomenon popping up all across my social media feeds: Spotify Wrapped. It was a really cool, social media-friendly analysis of my friends’ listening habits across the last year. I don’t, and probably won’t ever, use Spotify in any regular way, but I do use a couple of other services that provide some back-end statistics:

    • Roon, the primary listening system in my house, which allows me to centrally direct music to a dozen endpoints around my house. Roon provides pretty detailed statistics about your listening habits, but only for either 1) a defined period starting on they day you’re looking and go back no more than the last year, or 2) as long as the server has been running.
    • Tidal is the primary streaming service I use to feed Roon, and I occasionally use Tidal directly to listen to music on an iOS device or occasionally my work PC. Tidal’s data is reasonably accessible, but because I’m primarily playing Tidal via Roon, the datasets really overlap.
    • Apple Music, which I use for virtually all my listening when I’m anywhere other than my house, either on an iPhone, iPad, or on my personal laptop. Oh, and I use it to listen to music in my living room via an Apple TV, or via any of the HomePods in my house because Siri sometimes makes it easier than pulling out my phone and using Roon if I only have a few minutes and I’m in a room other than my office.
    • Last.fm, which theoretically “scrobbles” everything that’s played through Tidal or Apple Music.

    Unfortunately, it’s a manual process to combine and compare the data across the systems. Fortunately, I’m a huge music nerd and I think this is a fun way to spend an afternoon off. So here we go!

    [Caveats: for this analysis I drew only from my Roon server and Apple Music’s internal statistics. It doesn’t include the listening I did directly from Tidal (pretty minimal at this point, and really difficult to separate Tidal plays captured by Roon from those that aren’t), or any non-streaming listening like listening to vinyl, CDs, tapes, etc. So it’s pretty close, but won’t include quite everything. I’ve combined the data below. Totally possible I fat-fingered something in there, but the numbers seem pretty consistent.]

    First, some overall numbers:


    Overall 2023 Listening


    2023

    2022

    2021

    Minutes

    76,444

    76,068

    76,800

    Hours

    1,274

    1,268

    1,280

    Days

    53

    53

    53

    I’m surprised by how consistent I am across the years; it’s a little less than a 1% variation year-to-year; about twelve hours different from the high to the low, at least in terms of streaming. I feel like I listened to a lot less vinyl in 2023, but there’s no good way to track that without a lot of manual work.

    This means that I was listening to streamed music about 15% of the time in 2023, or almost 22% of my waking hours (assuming 8 hours of sleep a night). I’m okay with that, and it sounds about right.


    The Meat


    Now for the fun stuff!


    Top songs of 2023:

    Apple 


    Roon   


    Top Songs:

    Plays:

    Top Songs:

    Plays:

    “Freefall (Sped Up” — MADAX

    96

    “Dirty Sex Money (feat. Charli XCX)” — David Guetta

    1,126

    “Face to Face” — Daft Punk

    42

    “Thank You” — All Tvvins

    97

    “Go” — Flume

    40

    “minimal” — ROLE MODEL

    53

    “Still Sleepless (Ekko remix)” –D.O.D.

    38

    “Sea of Dreams” — Various Artists (from mORTEL)

    45

    “Ice Machines” — The National

    37

    “tears in the club (feat. the weeknd)” — FKA twigs

    43

    “So Far (It’s Alright)” — The 1975

    31

    “Piece of Your Heart (feat. Goodboys)” — MEDUZA

    43

    “Running Away” — VANO 3000

    31

    “Slider” — This is the Kit

    39

    “Shine (Feat. D Smoke)” — Robert Glasper

    29

    “Seventeen Going Under” — Sam Fender

    38

    “Let Go (feat Kele)” — RAC

    29

    “Old Pine” — Ben Howard

    37

    “After Dark” — Mr. Kitty

    28

    “(No One Knows Me) Like the Piano” — Sampha

    37

    Interesting to me how different these are; I think it goes to the difference in uses between the systems? Apple Music is usually something I use while transitioning between places and tasks and often is me telling Siri to play something that pops into my brain at the moment. Four of the Apple picks are tracks that featured prominently on TikTok in 2022 and 2023, and six of them were on my top 2022 Apple Music Replay playlist (which I played waaaay too often in 2023). “Dirty Sexy Money” by David Guetta is a WEIRD in the my Roon stats, with more than 11 times as many plays as anything else. It almost has to have been accidentally played on repeat on one of my Roon endpoints where the amplifier was off. It also pops up a lot on Roon radio after a queue is finished, but that can’t account for more than 1,100 plays. The rest of these make sense; “Freefall” was the most recently added track in Apple Music for me for months, and that tends to be a list I play when I have a few minutes but don’t want to pick a track so I can see why it popped up so much. Those tracks are also all on a stretching playlist that I listen to for fifteen or twenty minute at least twice a week while I’m stretching or foam rolling.

    The Roon list is more interesting; they’re a mix of things that I deliberately pick in the moment or things that Roon comes back to a lot on shuffle. They’re all good songs and I get why they’re there; “Thank You” in particular is one I tend to throw on when I’m doing something in my bedroom like changing sheets or sorting laundry.


    Top Artists of 2023:


    Apple 


    Roon   



    Top Artists:

    Mins:

    Top Artists:

    Mins:

    1

    The National

    716

    Sun Glitters

    1,220

    2

    Robert Glasper

    626

    Bonobo

    1,047

    3

    Glass Animals

    407

    All Tvvins

    889

    4

    TV on the Radio

    372

    RAC

    798

    5

    Bonobo

    357

    Gang of Youths

    783

    6

    Flume

    353

    Nightmares on Wax

    768

    7

    Taylor Swift

    346

    The 1975

    763

    8

    Flight Facilities

    325

    The National

    745

    9

    Massive Attack

    304

    Robert Glasper

    685

    10

    All Tvvins

    258

    Lusine

    668


    Sun Glitters is a weird one here, and almost has to be another one that was playing on a repeat queue on an endpoint that was powered down. (Victor Ferreira is great and I definitely listened to his work a lot, but I don’t think 20 hours worth in 2023). Everything else makes sense; I wasn’t surprised to see The National, Robert Glasper, and All Tvvins pop up on both as I tend to listen to them both at home and out in the world (especially The National, who released two good full-length albums in 2023 and was overall my most played artist with more than 1,400 minutes played). I think I probably need to figure out if some of the albums that aren’t on both lists aren’t on both because I haven’t added them to both libraries (and I’ve been bad this year about the five step process required to sync libraries between the two systems).


    Top Albums of 2023:


    Apple 


    Roon   



    Top Albums

    Plays:

    Top Albums

    Mins:

    1

    “First Two Pages of Frankenstein” — The National

    85

    “The 1975 (Deluxe Version) — The 1975

    648

    2

    “Just to Exist” — All Tvvins

    57

    “Sensorimotor” — Lusine

    635

    3

    “Live with the M.S.O.” — Flight Facilities

    56

    “Dreams Are Not Enough” — Telefon Tel Aviv

    628

    4

    “Off Off On” — This is the Kit

    46

    “True Romance” — Charli XCX

    574

    5

    “Black Radio III” — Robert Glasper

    45

    “Scattered into Light” — Sun Glitters

    538

    6

    “Seeds” — TV on the Radio

    34

    “First Two Pages of Frankenstein” — The National

    519

    7

    “Black Sands” — Bonobo

    31

    “TheSoundYouNeed, Vol. 1” — Various Artists

    507

    8

    “Caprisongs” — FKA Twigs

    29

    “bb u ok?” — San Holo

    494

    9

    “Lustmore” — Lapalux

    27

    “Howl” — Rival Consoles

    474

    10

    “Boxer (Bonus Version)” — The National

    22

    “Simple Things” — Zero 7

    422


    “Midnights (The Til Dawn Edition)” — Taylor Swift

    22

    “Strangers” — RAC

    422

    Nothing here is super surprising either; I’m not sure I’d have expected that I listened to “First Two Pages of Frankenstein” 85 times on Apple alone, so I’m pretty sure that Apple Music is counting each time you play one or more songs from the album as a play of the album. Honestly I’d have expected “Midnights” to be higher on the list, but I have two different versions of the album (as well as a couple copies on vinyl) so I’m guessing that it’s just that at some point I transitioned from the original to this version and Apple doesn’t combine the two. “The 1975” is only a little bit surprising because I expected it to pop up more on the Apple side of the house, given how often I throw it on a HomePod or Echo when I’m working on something (that’s why “Seeds” made this list, five years after it was released; it’s a good one to ask a digital assistant to play off the top of my head). Three or four of the Roon picks are things that I throw on in the background when I’m showering or shaving or cleaning my kitchen too, so they make sense.

    I do wish that Roon tracked number of plays instead of minutes played; I’d love to do a side-by-side without having to figure out track length and do the math.


    Top Genres of 2023

    Apple 

    Roon


    Top Genres

    Top Genres

    Mins:

    Alternative

    Alternative/Indie Rock

    21,241

    Electronic

    Electronic

    19,719

    Adult Alternative

    Pop

    4,995

    Rock

    R&B

    3,362

    Pop

    Rap

    2,678


    Genres are pretty arbitrary in general, and I really don’t expect much consistency within a service, let alone across it, but I’m not particularly surprised that both suggest that I favor alternative, electronic, rock, and pop. I’m surprised rap doesn’t show up on Apple given how much I thought I listened to rap over the course of the year, but it probably just means that I did more of that listening at home (thanks to the newly-streaming De La Soul catalog and a deep dive back into A Tribe Called Quest’s older albums).

    Listening Across Services over 3 Years

    Apple 




    Roon



     

    2023

    2022

    2021

    2023

    2022

    2021

    Artists:

    1,321

    1,004

    448

    1,543

    545

    Songs:

    3,769

    2,487

    5,595

    Albums:

    178

    209

    66

    2,184

    948

    Minutes:

    25,144

    14,508

    5,100

    51,300

    61,560

    71,700

    Hours:

    419

    242

    85

    855

    1,026

    1,195

    Days:

    17

    10

    4

    32

    43

    50


    This was a real surprise to me; while my overall listening has been pretty consistent across the last three years, there’s been a pretty substantial shift away from Roon and toward Apple Music. My use of Apple Music has increased almost 400% and Roon decreased nearly 30%:


    Why the Shift Between Services? aka The Super Nerdy Stuff

    There are a couple of plausible explanations for this shift:

    1. In 2021, I was working remotely from home four and a half days a week, with only a half day a week in my office. For the last half of 2022 and basically all of 2023, I was working more or less two days a week in Seattle and from my home office only three days a week. This means less opportunity to listen to Roon, and more incentive to listen to Apple Music while in the office.
    2. Midway through 2021, Apple introduced lossless streaming and Spatial Audio for free to all Apple Music subscribers. This meant that I felt less obliged to use Tidal directly while I was out and about, because I could listen to CD-quality playback from Apple Music. Apple music is the native player for most of my out-and-about devices (iPhones, iPad, Apple laptop) so it’s more convenient, and when that convenience stopped being at the cost of sound quality …
    3. For whatever reason, Apple Music seems to play nicer with Carplay in my Kia, so sometime in 2022 I switched over from mostly streaming via Tidal on car trips to streaming via Apple Music. It’s not a huge amount of listening time, but when you figure I’m spending three hours a week minimum driving to and from Seattle, it starts to add up.
    4. Apple Music plays really nicely with Apple-branded or -owned headphones (Airpods, plus Beats products). In October of 2022 I was introduced to the Apple Airpods Pro2, which it turns out I really really love, despite myself. And then in November, I got a pair of the AirPods Max which I also really, really love, despite myself. Both also implement Apple’s spatial audio protocol really well, and sound good even with the limitations of Bluetooth. Because I really liked both pairs and their ANC transparency modes are so good in an office environment, I started mostly using them in the office and stopped using my Dragonfly Red frankendongleDAC or my desktop amp and wired headphones when I was in the office. While I could use the Airpods with Tidal … why bother when Apple Music is right there and tightly integrated?

    Really it’s almost certainly a combination of all of these factors. It adds an interesting challenge for Tidal’s business model. Tidal seems to be pretty focused on the audiophile market rather than general consumers, and they’ve lured a bunch of us into their ecosystem by offering “high resolution” sound and compatibility with Roon, BluOS, and a variety of high-end audiophile gear. Apple took the knees out of that first advantage when they made lossless available to everyone for free, and if they ever decide to open up their API to anyone other than legacy systems like Sonos, I think Tidal’s business model is in even more jeopardy that it already is.

  •  [Editor’s note: this is something I drafted in 2023, reflecting on my 2022 listening habits after seeing a bunch of my friends uploading their Spotify Wrapped packages. I built my own. I’m not sure I ever posted it anywhere, particularly based on the missing information re: Roon which I can’t really access after the fact (Roon’s interface gives you pretty robust information for the last year, and all time, but not for defined periods beyond a year). I’m uploading these here as part of my effort to get the things I occasionally have to spend time scouring FB for in a single place.]

    No narrative, just data for this one apparently.

    Apple

    Roon

    Minutes

    14508

    61560

    Hours

    241.8

    1026

    Days

    10.075

    42.75

    Artists

    1004

    Songs

    2487

    Albums

    209

    Top Artists

    Apple

    Roon

    1

    The National

    David Guetta/Charli XCX

    2

    Taylor Swift

    Gang of Youths

    3

    Massive Attack

    Flume

    4

    Robert Glasper

    FKA twigs

    5

    Glass Animals

    PinkPantheress

    6

    Gang of Youths

    Four Tet

    7

    Flume

    San Holo

    8

    TV on the Radio

    TV on the Radio

    9

    Kendrick Lamar

    Mura Masa

    10

    Chvrches

    Archy Marshall

    11

     

    Gorillaz

    12

     

    Agnes Obel

    Top Albums

    Apple

    Roon

    1

    “Midnights (3 am Edition)” – Taylor Swift

    “Dirty Sexy Money” – David Guetta

    2

    “Dreamland” – Glass Animals

    “angel in realtime” – Gang of Youths

    3

    “angel in realtime” – Gang of Youths

    “Palaces” – Flume

    4

    “to hell with it” – PinkPantheress

    “A New Place to Drown” – Archie Marshall

    5

    “Palaces” – Flume

    “CAPRISONGS” – FKA Twigs

    6

    “Trouble Will Find Me” – The National

    “to hell with it (remixes)” – Pink Pantheress

    7

    “Cashmere” – Swet Shop Boys

    “Caracal (Deluxe)” – Disclosure

    8

    “F**k Yo Feelings” – Robert Glasper

    “Sixteen Oceans” – Four Tet

    9

    “We’re New Here” – Gil Scott-Heron & Jamie xx

    “Where It Is (Sp. Ed.)” – The Beloved

    10

    “Many Times – Single” – Dijon

    “Superorganism” – World Wide Pop

    11

     

    “The Slow Rush B-Sides” – Tame Impala

    12

     

    “How Long Do you Think …” – Big Red Machine

    13

     

    “The Kite String Tangle” – TKST

    14

     

    “Have We Met” – Destroyer

    15

     

    “bb u ok?” – San Holo

    16

     

    “SOS” – SZA

    17

     

    “Plum” – Widowspeak

    18

     

    “Dance Fever” – Florence & The Machine

    Top Songs

    Apple

    Roon

    1

    “Running Away” — Vano 3030

    2

    “Anti-Hero” — Taylor Swift

    3

    “First Class” — Jack Harlow

    4

    “Many Times” — Dijon

    5

    “Go” — Flume

    6

    “After Dark” — Mr. Kitty

    7

    “Maroon” — Taylor Swift

    8

    “Tom’s Diner” — AnnenMayKantereit & Giant Rooks

    9

    “Record Player” — Daisy the Great & AJR

    10

    “Frozen” — Madonna & Sickick

  •  

    [Editor’s note: this is something I wrote in 2022, reflecting on my 2021 listening habits after seeing a bunch of my friends uploading their Spotify Wrapped packages. I built my own. I’m uploading these here as part of my effort to get the things I occasionally have to spend time scouring FB for in a single place.]

    I’ve been really enjoying the 2021 Spotify recaps, but I don’t use Spotify,* and my usage is split across three apps:

    • Roon (for use around the house)
    • Apple Music (for lossy streaming: walking the dog, driving, anytime I don’t have wifi or I’m using Bluetooth for playback)
    • Tidal (for lossless and HD streaming/local playback, i.e. whenever I have wifi + good headphones, no cell service, or I’m at my office)

    Tidal doesn’t track statistics beyond top tracks, but between Roon and Apple Music I have more than 1280 hours of listening in 2021. Which means I’m listening to music more than 14% of the time, and almost 44% of the time I’m awake. This doesn’t count any time listening to Tidal or vinyl, which is a substantially-non-zero amount of my time too. And in that time, I haven’t listened to any one artist for more than 14 hours, which tells you how eclectic and varied my taste is!

    Weird to see how my usage varies between services, too. Roon is mostly stuff I really like; Apple is a combination of things I hear on TV, Shazam out in the world, or think of randomly and tell Siri to play; and Tidal is mostly stuff I like and happen to have downloaded on my phone when I get stuck somewhere without cell service or wifi. And it’s HILARIOUS to me that Taylor Swift is the only artist on all three lists. Super weird too that Massive Attack and the xx don’t appear on the list … apparently I mostly listen to them on vinyl at this point?

    It’s not a schmancy, animated, social media-friendly analysis, but it tickled me to do it.


    *They pay artists very poorly, and I don’t think they have a viable long-term business model, so I’m reluctant to give them my data or rely on their service.


  •  M2 Macbook Air 13” Review [$1100 MSRP, always $1049.99 at Costco, occasionally on sale around $900 or $950]

    [Tl;dr: This laptop is nuts. It’s the first computer I’ve ever owned where I have essentially no notes other than a slight complaint about USB-C ports and reliance on Bluetooth. And the fact that it’s surprisingly affordable, especially for a Mac … yeah, I’m a fan. I have genuine concerns about how this computer is going to undercut Apple sales of higher-end models going forward. When on sale, it’s also roughly the price point of some of Microsoft’s Surface models, and … this is a MUCH better machine.

     

    At long last, Apple’s remade a fanboi out of me.]

     

    Scores:

    Cost-agnostic: 10 out of 10 Denalis

    Cost-sensitive: 11 out of 10 Denalis

     

    [Caveats: the model reviewed is the July 2022 MacBook M2 Air 13” with 8 GB unified memory, and a 256 GB SSD hard disk, in midnight. This is the lowest-priced model generally available wit the M2 (a number of retailers still have the M1 generation available, albeit sometimes at a higher price point). Purchased at Costco in April 2023 for $1150, and price matched down to $950 in June 2023, recently seen there at $899.99.]

     

    Intro. Back in May of 2023 I wrote about my no-good, very bad technology day in September 2022 that resulted in me buying a beautiful, but ultimately poorly-suited MacBook Pro, my first Mac laptop in a decade and a half. In April 2023, having figured out how few times the Pro had left my house (twice? Maybe three times?), with a bunch of travel coming up for work and personal business and having watched a couple of stellar reviews of the new M2 MacBook Air, I decided to grab one at Costco on my way back from Hood River. I’ve carried it in my work bag basically since that first week, and I’ve taken it on a half dozen trips including two weeks in Europe in December 2023.

     

    The machine: I probably wouldn’t use this machine if I were trying to edit or render 4k video, but not because it couldn’t handle it. I primarily use this machine as a word processor and internet browser, but I’ve also used it to play some reasonably demanding video games (Borderlands 2, Baldur’s Gate 2, etc.) and it’s both worked perfectly and not gotten particularly warm. It’s never hung up or struggled to do anything I’ve asked it to do, but to be fair I also have both a dedicated gaming machine and a M2 Ultra Mac Studio that I would use for anything particularly intensive; this machine is definitely primarily intended for use case 2.

     

    The battery is really impressive. Running in airplane mode with just music and a word processor running, I got about 8 hours of work done on like … a third of the battery? I’ve had to plug it in while working on it maybe twice in a little less than a year. The one challenge has been leaving it in my bag sleeping rather than shut down—if I do that for a couple of weeks, my battery will be pretty low when I open it back up but that may be an artifact of my settings (generally I don’t have laptops set to sleep when I close the lid because I expect to use them docked a lot. I really should change that setting for this machine given how little I use it docked …).

     

    The keyboard is a full-sized QWERTY keyboard. I do miss having a ten-key but it’s mostly not important for the kinds of things I do on this machine, and I can always get an external one if it becomes a problem.

     

    TouchID is also surprisingly nice; I’d gotten used to my work laptop recognizing my face and unlocking, and this is basically as easy; I just press the upper right key with the correct finger and the laptop unlocks.

     

    Monitor: The current generation Liquid Retina display is gorgeous. Mac figured laptop and all-in-one screens out years ago and this is a worthy successor. The screen on my MacBook Pro was a little brighter and richer than this, but it definitely will get painfully bright even in a well-lit room. It’s bright enough and shiny enough to make me uncomfortably aware of how dirty my screen gets, and maybe the one knock against it is that it looks like it *should* be a touch screen, but is *not* actually a touchscreen.

    The one downside is the size; compared to a 15” laptop screen like my work laptop or the 49”/27” monitors I use for desktops, it’s definitely a bit small. It took some getting used to; for example, I have had to change my workflow for using Gmail on it because I can’t have the sidebar, inbox, and reading pane side-by-side-by-side without losing the ability read a lot of e-mail. If you’re someone who needs more than a 13” monitor, this machine is probably not for you (though Apple is now offering a 15” version of this machine starting at $1299). The bezel at the top of the screen may also be disruptive for some people; you end up losing 2” by .5” of your menu bar to the forward-facing camera. I don’t currently use any software that has enough menu bars to be affected, but other people’s mileage may vary.  

    That said, I used it as my only machine for several weeks over the holidays and I got used to the size really quickly. And the smaller size translates to a lighter weight and ease of carrying/using it out and about in the world.

     

    Audio: Headphone jack. This is one of the more surprising aspects of current Mac models. Apple has long been pretty dedicated to not accommodating audiophiles with their gear.[1] Because of that, I was stunned when I learned that Apple has built high-impedance, low-noise amplifiers into all of their modern models. This laptop drives high impedance headphones like the Drop x Sennheiser 6XX (300 ohms) (review planned for last week, but coming eventually) and Beyerdynamic DT 990 (250 ohms) (review here) really beautifully, but also is able to drive really sensitive IEMs like my Chi-fi Campfire Audio knockoffs without a ton of noise. Even some pretty decent desktop headphone amplifiers struggle with one or the other; most amps that I like with high-impedance headphones are super noisy for sensitive IEMs and amps that are good with sensitive IEMs often struggle to drive high-impedance cans at reasonable volumes.

     

    Do I have desktop amps that I think provide better, clearer sound? Sure. But they’re not the cheap ones, nor the transportable ones. I end up relying on the on-board sound instead of plugging in the Dragonfly Red dongle DAC I carry most of the time, which tells me that I really like the sound profile.

     

    Bluetooth. Bluetooth sucks for music, as always, but it’s a pretty decent implementation that plays well with other devices in the Apple ecosystem. It automatically detects AirPods and Beats associated with my Apple account and asks me if I want to connect them, and provides information about battery charge etc. The .alac codec is fine, and the laptop does a good job of converting everything into it to pipe to Apple-capable headphones.

     

    Speakers: They’re reasonably loud. They’re fine. I don’t really use them much, as the universe of situations where I am working on a laptop AND want/can courteously play music out loud is pretty damned small.

     

    Airplay: This is one of the weirder things about this laptop, just because I haven’t really encountered it before: the MacBook Air automatically lists active Airplay speakers on your wifi network as options for audio out. I can’t imagine I’d ever deliberately use this because I have an entire Roon network set up around my house using a music protocol that’s a lot better than Airplay, but it is kind of cool especially when you have HomePods in several rooms in your house (and Airplay-capable Bluesound amplifiers in most of the others).

    Connectivity: The ports are limited, which has been true of almost all of the Macs I’ve owned other than the Mac Studio. One modern Magsafe port and two Thunderbolt/USB-4 ports on the left side of the keyboard, and one 1/8” audio jack on the right side, and that’s it. No USB-A, no HDMI (mini or otherwise) or any other video out. As someone who dislikes Bluetooth (especially for mice) it’s a little annoying, and I end up carrying a USB-A hub and a few USB-C to A adapters in my bag all of the time. It’ll get less annoying over time as more and more of my devices end up being USB-C (my iPhone and new AirPods case are both USB-C finally, and I’m gradually cutting over all of my peripherals). In a pinch, you can charge via the USB-C ports too, if you damage, lose, or forget the Magsafe adapter.  It charges fine with the 65W USB-C charger for my Lenovo Carbon X1; it doesn’t require the expensive, bespoke Apple charger, fortunately.

    [Also the Magsafe is amazing and I’m so glad Apple brought them back. Anyone who lives with a large dog with an active tail can appreciate how important they are, and it’s legitimately one of the reasons I didn’t buy any of the Apple models that didn’t include them.]

     

    Wifi is good. Bluetooth is as good as Bluetooth gets. Airdop is actually REALLY well implemented and useful for moving files back and forth.

     

    Design/Aesthetics: It’s pretty. It’s an Apple product. I appreciate that they’re giving us more options than white and brushed aluminum. I’ve long been a fan of Apple’s version of Space Grey, but for this one the midnight called to me. It’s a very clean looking device, though I’ve (for the first time) gone and covered it in stickers. I’ve also thrown on a case, just because I’d read enough reviews about people inadvertently scratching them, or realizing how many fingerprints ended up on the aluminum case.

    Upgradability: Upgradability? What upgradability? You think you should get to question what Apple has so generously provided to you?!?!

    Macs are all now system-on-chip[2], which means that whatever configuration you pick, you will forever be stuck with it. No ability to upgrade the processor, memory, hard drive, etc. So make your decision wisely! (Seriously though, this is the base model and it’s perfect for everything I want to use it for so I doubt I’ll have any regret about the configuration I chose. Also I have different machines for other uses.)

     

    Pricing: It’s not cheap-cheap, but by computer standards (and particularly by Apple standards) it’s an absolute steal at MSRP, let alone at $899.99 I saw it for at Costco last weekend. It’s about the same price as a comparable Microsoft Surface and cheaper than the Carbon X1 line from Lenovo. It’s the kind of price where it would really suck to have to replace it, but it’s also totally doable. And that means that I’m willing to carry it with me and actually use it, something I couldn’t or wouldn’t do with the $2400 MacBook pro.

     

    Conclusion: Apple is running into an issue where their new line of machines (with Apple silicon instead of Intel chips) are so good that people aren’t bothering to upgrade to the new hotness each year, and this machine seems like it will inevitably cause the same problem. They could announce the M3 version of the MacBook Air tomorrow and I wouldn’t even bother to look because this machine is so perfect for what I need it to do. With the introduction of the 15” version of the Air, I can’t imagine recommending the M3 MacBook Pro (either 14” or 16”) to anyone but a true power user (*waves at Robin*), and even most of them would probably benefit more from one of the other models unless they’re doing their power-user work primarily out and about in the world.

     

    Apple may have screwed themselves with this one; when you’ve lost even me from the MOAR POWER crew ….

     

    It’s a great device. I recommend it without any reservations to anyone who needs a new machine for anything less than serious video editing or similarly intensive work (or anyone who wants a gaming machine; you don’t buy a Mac for gaming at this point. Ever.). Get it on sale. Use it. Love it. Replace it if it breaks or gets stolen.


    [1] See e.g. removal of the headphone jack on iPhones, no USB ports and a questionable implementation of Bluetooth and no support for actual lossless codecs on most iOS devices, stripping the optical audio out of 4k Apple TVs, the way Airplay 2 handles streams, etc.

    [2] Except the $7k+ MacPro/Cheese Grater, and even that is mostly system-on-chip.

  • 2015’s Top Ten Albums

    1) “In Colour” — Jamie xx

    2) “Synesthesiac – EP” — Jack Garrett

    3) “Every Eye Open” — CHVRCHES

    4) “EP3” — Zero 7

    5) “Bones” — Son Lux

    6) “Big Grams” — Big Grams

    7) “25” — Adele

    8) “Return to the Moon” — EL VY

    9) “Urban Flora – EP” — Galimatias & Alina Baraz

    10) “Another Eternity” — Purity Ring


    Honorable mentions: 

    “To Pimp a Butterfly” — Kendrick Lamar

    “Panda Bear Meets the Grim Reaper” — Panda Bear

    “Beauty Behind the Madness” — The Weeknd


    [posted in 2024 in an effort to get all of my top ten lists in one place.]

  • Scores: 

    Cost-agnostic: 9 out of 10 Denalis

    Cost-sensitive: 7 out of 10 Denalis


    [Tl;dr: It was a great trip and I was very impressed with Viking overall. The staff was attentive (occasionally too attentive), the ship was clean and nicely appointed, the food was overall quite good and with a whole bunch of options, and the variety of spaces and things to do on board were great. The excursions were varied and provided options both in terms of what we could do and the activity level required.]

     

    Introduction/Caveats: We sailed on the Viking Venus from December 22 through December 29th, 2023, boarding in Athens, visiting Kuşadası, Turkey, Messina in Sicily, and Naples, Italy, before disembarking in Civitavecchia, just outside Rome. There was supposed to be a stop in Crete on 12/25 that got canceled due to everything being closed for the Christmas holiday, so two of the days in the middle (12/25-26) were pure sailing days. I had a “Deluxe Veranda” room[1] on the fourth deck, on the right side (starboard) of the ship near the middle. Two days at sea in the middle was maybe not ideal, but I enjoyed the enforced idleness on those days.

     

    Rooms: The rooms were nice. A reasonable size with decent storage, and the bathroom/shower was frankly luxurious for a boat. The bed was pretty comfortable and nicely firm, and the chairs in the room were pretty comfortable for after-hours relaxation. The mini-fridge was nicely appointed, though I’d have preferred an option to fill it with water rather than soda.

     

    Amenities: 

     

    The exercise facilities were nicely appointed, if limited to some Peloton knock-offs and a dumbbell set marked in kgs. It was never particularly crowded and each machine was stocked with towels and a bottle of water which was a nice touch. 


    The spa was quite nice; the massage was about what I’d expect (though the nice lady almost made me cry during a deep tissue session), and the Norwegian bath facility was great. It had a cold plunge pool and a traditional sauna in the men’s locker room, and then access to a shared-gender facility with a bubble pool, hot tub, steam room, and “snow grotto” that was close to, but not actually, freezing cold. I wish I’d discovered the baths before the last day on the ship; I feel like I would have spent some time each day going back and forth between hot and cold. 

     

    On-board entertainment: There were certainly a lot of options for entertainment on the boat, ranging from regular lectures by the two on-board Viking historians to old Christmas movies in the theaters to sing-alongs and performances by several musicians (and some crew members!) on board. These were all slightly hampered by the lack of COVID awareness on the ship and the small number of people wearing masks in common areas; in particular, anytime people around us started singing we tended to retreat. The in-room TV had some options for movies and TV shows to watch, though I didn’t bother with any of them given the amount of people watching I could do on board.

     

    I will say that the lecture series was … disappointing. Neither of the lecturers seemed particularly well-prepared for any of their topics, which was a damned shame. Learning the history of the places we had visited or were going to be visiting would have been pretty great. Maybe I had unrealistic expectations after having truly excellent history professors in college? I just kept thinking to myself how much better they would have been if the lecturer had been Steven Maughan or Howard Berger or Mark Smith. Hell, I’m sure any of the poli-sci folks could have thrown together something interesting and relevant: I found myself wanting to suggest that my brother prepare a geography lecture just to show them how it’s done! Maybe I spend too much time thinking about, attending, and delivering instruction, but it just felt like a real missed opportunity. At least mom enjoyed them more than I did, which was really nice for her.

    The pool on the top deck (outside at the stern) was … okay. Both the infinity pool and the hot tub were substantially under-filled and sort of lukewarm while we were underway, and I’m pretty sure that they’re downwind of the designated smoking spot as I kept getting hit with what looked and smelled like ash while using them.


    The Explorer’s Lounge was great. 7th deck, front of the ship, with comfortable seating, a nice selection of books, and great views out the front of the ship. Also a great little buffet much of the day, with Scandinavian breakfast options in the morning and nice light sandwiches and dessert in the afternoon for tea. The last couple of days, this is where I went to read and have coffee in the afternoon. It’s also where I shot some of my favorite photos and videos of the trip, particularly as we were leaving various ports.

    Upper deck of the Explorer’s Lounge.

    Watching the waves go by in the lower deck of the Explorer’s Lounge.

    The Wintergarten was probably my favorite place on the ship after the Explorer’s Lounge. Glass retractable roof a la T-Mobile Park, lots of windows and natural light, and the indoor pool/hot tub for those olfactory reminders of a childhood misspent swimming. The pool grill is also in this section, with decent American style lunch options and a reasonably good bar. The one downside was that the ship’s announcements were PAINFULLY loud in here; like everyone around us had their ears covered, and they were still painful even after I put on decent noise-canceling headphones. The Cruise Director happened to be on our excursion the next day so I got to raise that with him and he was pretty receptive.

    The Wintergarten
    Speculoos cake!

    The decks were lovely and mostly pretty empty, but it was pretty cool and windy the entire time we were on the boat. I’d guess they get pretty crowded during on-season cruises. 

    Chill sea day.

    Food: The food was always good, but very rarely great. We ate primarily at the World Café on Deck 7, which was a buffet with a couple of dozen options each night, ranging from traditional Scandinavian fair (yay pickled fish!) to American-style buffet options (roasted beef, chicken, pork, etc.) to a Chinese station. There were always a wide variety of pastries and dessert options, as well as a rotating assortment of gelatos and sorbets on demand. Breakfasts included a variety of American-style options, but once we discovered the made-to-order omelet option we were pretty set for the week. Couple of standouts: the first night, they had Duck L’Orange that was really genuinely good and frankly I should have skipped the sides that night to have a little more duck. Christmas Day they had a “Christmas charm”, a red-dusted chocolate dessert that was AMAZING. It was like a Nesquik-flavored chocolate mousse with an amazingly silky texture. The tiramisu the last couple of days was also pretty great; unfortunately I was pretty burned out on sweets by then and mostly didn’t partake.

    [They were really good about allergens; Mom is allergic to all nuts except peanuts, and she noted that during booking. Each day we got advanced menus for her to look through, and every waiter at every restaurant knew that she had some dietary restrictions even though sometimes a bit of it got lost in translation. I cannot commend to your attention enough the value of giving Viking a heads up about any restrictions; they appear to be able to accomodate most of them with sufficient notice.]

    The rules about drinks were also really weird. Mom ordered a ginger ale during one of the lectures and they charged her $4 for it. Unless you purchase the silver spirits package, wine and beer are charged by the glass EXCEPT when you’re in one of the restaurants at meal time, in which case the house wine and beer are free. Soda is mostly free, unless you order ginger ale, or a coke product in the Explorer’s Lounge (though honestly the bartenders there usually didn’t actually charge me). Espresso drinks are free throughout the ship all of the time. It’s … super weird.

    Magical omelet bar, plus bread service.

    A small sampling of the desserts on board.


    Not a bad morning view.

    Manfreddi’s was the Italian restaurant on board that required advanced reservations (somehow Dylan managed to sweet talk us into this restaurant the second to last night). The food was really good, though the portion sizes were a bit ridiculous. I felt bad only eating like half of each course I ordered, and I was pretty glad I skipped the salad course and didn’t eat any of the bread service. The pasta course was delicious, and the steak perfectly seasoned and cooked. This restaurant is 100% worth eating at. The wine list was also pretty good and decently priced; this was the one place that we ordered a nice bottle of wine, an Amarone.

    Carbonara


    A delicious but far too big ribeye.


    Tiramisu. So much tiramisu.


    Dylan with the Amarone he selected.

    The Chef’s Table is the pre-fixe restaurant on the ship that Dylan also talked them into giving us a reservation at. This menu for our visit was Asian-themed, and was also good, but not great. The standout courses were the lychee and red pepper flake granita (SO WEIRD AND DELICIOUS) and the Beijing duck, and the desert included a really nice mini-crème brulee and banana egg rolls. The lobster and pork bao were close to great, but the wrapper was just a little rubbery. The courses were mercifully small, and I feel like I acquitted myself well.  Depending on the menu, I might skip this one next time. Oh, and if anyone in your party has dietary restrictions, make sure to let them know ahead of time (you should probably register via the portal before your sailing); they will try their best to accommodate you on the fly (and they made some chicken jaoizu for my SiL that were apparently quite delicious), but they’re better about setting up things in advance. 


    Beijing duck, but small.

    Asian-inflected dessert trio.

    The Restaurant is the “main” non-buffet option on the ship on deck 2. We only went there once; it’s really crowded and pretty tightly packed, and the wait time between ordering and getting food is pretty long. The food was … fine, but honestly I thought the steak was better cooked at the World Cafe, and the fries were better literally everywhere on the boat. We didn’t go back, though next time I might try the breakfast just because they appeared to have a fresh french toast option (and french toast doesn’t keep very well under a heat lamp). 


    A moderately disappointing steak-frites.

    Afternoon tea in the Wintergarten was quite nice, with excellent tea and delicious scones. 11/10, would recommend. When the Wintergarten was overfull (the two days at sea) we got tea service in the Explorer’s Lounge but it was like pulling teeth. 

     

    Room service was pretty comprehensive and available 24 hours a day, though when my brother/sister-in-law ordered breakfast overnight it arrived late enough that it complicated making later events. I didn’t order it myself, because I liked getting out and about on the ship and there were so many good restaurants. 

     

    Excursions: The excursions varied a lot, as we got to pick which ones we want. We tried to match up excursions with Mom and we mostly picked ones with less walking, though through some miscommunications we ended up on some different excursions on a couple of days. I would say my favorite excursions were the less-structured ones where we’d get a basic outline from the guides on the way to a location, maybe a quick talk as we walked somewhere, and then a lot of time to do our own thing and walk around at our own pace. The ones that were mostly on the bus, or tightly tied to guides for the duration, were less my cup of tea. But, they were always well organized and felt safe and controlled, and got us access to interesting things and places. The guides were mostly pretty good, and the Quiet Vox system was helpful in terms of letting us hear them without bothering everyone around us.


    Taormina is GORGEOUS. I’d spend a couple of days there.

    Italian unification memorial.

    The views: They’re spectacular. It’s a beautiful part of the world and the ship gives you some really unique perspectives on all of it. And the highlights weren’t even always the things we’d anticipated; standing on the deck of the ship in Turkey and listening to the call to prayer was a genuinely remarkable experience. 

    Apparently the rock St. Paul exhorted the Athenians from? 


    The Athenian Acropolis.



    Second day at the Acropolis, with nicer weather this time.



    Kuşadası, Turkey, at sunset.

    Misc: I think the most disappointing part of this experience was the degree to which they’ve just accepted that people are going to transmit and get COVID on the ship. I understand that they’re in a hard place, with I’m guessing at least 50% of their clientele coming from a country (MURKA!) that is pretending that COVID isn’t real anymore, but man is it hard to be in a crowd of unmasked people shouting and eating and carrying on. I think maybe 5% of the ship masked at all. [To their (limited) credit, no one gave us a hard time for masking though, which I had wondered about.]

     

    The people watching was pretty great, though I ended up playing a lot of rounds of “girlfriend or daughter,” and I think I was batting less than .500 on it by the end of the trip. I also overheard several conversations that I perhaps should not have, so be aware that not everyone on board will be particularly thoughtful about what they subject their fellow passengers to. 

     

    Viking also doesn’t allow people under 18 on their ships, and I would guess that the average guest was ten or twenty years older than me, though there were certainly a few folks who appeared to be younger than me on some of our excursions. The price point also definitely affects their clientele, and they make some rules that are designed to keep it “classy” (dining rooms are all “elegant casual”, which means in theory collared shirts and no jeans for men, though this appears to be mostly honored in the breach.)

     

    Conclusion: Overall, it was a great experience and one I’ll definitely do again. I’m particularly intrigued by their river voyages; Viking has two broad categories of ship: ocean-going (around 1,000 passengers) and river-going (around 100 passengers). The ocean-going ships are all roughly the same, while the river-going ships are custom designed for their specific rivers. Viking does charge a hefty single supplement (150-200%) so be aware that it’s not a cheap option to solo travel. 

    [1] Their second-tier room type for this ship.

  • So I still haven’t made it back home so I haven’t had a chance to dig into the data living on my home music server about what I listened to in 2023, but here’s my first crack at a top ten list for the year.1

    1. “First Two Pages of Frankenstein” by The National. Was there any chance in the world this album wasn’t making this list? With most of the band off doing independent projects (notably Matt Berninger’s solo album and Dessner’s work with T-Swizzle), I’ve been a little apprehensive about the length of time it’s been since 2019’s excellent “I Am Easy To Find”. I didn’t need to be. This album is stellar, front to back. In particular, “Ice Machines” is a true throwback to the Boxer era (my favorite of their albums), and “Your Mind is Not Your Friend Again” has lived in my subconscious for months. 

    2. “Lahai” by Sampha. I first heard Sampha’s “Like the Piano” on Roon Radio when it came up a couple of times in one day, and I’ve been absolutely obsessed with that track since. This album is … great. It only came out in October and I’ve been so busy that I haven’t spent as much time with it as I plan to, but I commend it to your attention. You might not recognize his name, but you would definitely recognize some of the tracks he’s featured on.

    3. “the record” by Boygenius. I mean, I can’t imagine you haven’t heard of this album. Not a lot of legit supergroups these days, but if you’re a fan of Phoebe Bridgers, Julien Baker, or Lucy Dacus, you should listen to this album. Even if you’re not, you should listen to this album. 

    4. “Kaytraminé” by KAYTRANADA & Aminé. I found Kaytranada via his amazing collaborations with Robert Glasper2 and I spent a lot of 2023 listening to his back catalog. Great mix of hip hop and electronica. 

    5. “Laugh Track” by The National. Not only did The National release a great album in 2023 … they released two. The title track is my fave, and if you haven’t watched the animated video you really ought to. Phoebe Bridgers and Matt Berninger’s voices are really incredibly well balanced, as we knew from a couple of previous collaborations. 

    6. “Heavy Heavy” by Young Fathers. Young Fathers are definitely an acquired taste, but I acquired it the first time I heard the spectacular “Holy Ghost” (and watched the fascinating video shot on a FLIR cam).

    7. “Light, Dark, Light Again” by Angie McMahon. McMahon was a new artist to me when I heard a great interview with her on NPR, and the album slotted into my rotation pretty immediately. 

    8. “Mid Air” by Romy. I really need to spend more time with this album; the xx were one of my favorite bands and while I’ve appreciated all of their independent projects, I’m still a little in mourning for the apparent end of the band as a band. But it’s a beautiful piece and I’m really curious to see how they all grow independently.

    9. “Arrived Anxious, Left Bored” by Flume. I’m a Flume fan. I’ll listen to any new stuff from him. This is a good piece all around, even if it lacks some of the standout qualities of “Palaces.”

    10. “New Blue Sun” by Andre 3000. I … think I like this album? It’s just a super strange one, and not what I was expecting. I spent a lot of 2023 listening to Outkast’s earliest albums and Big Boi’s independent albums (“Boomiverse” is on playlists pretty regularly for me), so this was a big departure. But I think I really like it. 

    So, what did I miss that I need to check out? I was surprised to hear that I missed a new Janelle Monae album, which I’ll correct shortly. I also recently picked up “Victor” by Victor Mensa, and I want to spend more time with Ashnikko’s “Weedkiller” which may edge its way into the top ten. I’m also enjoying Dean Johnson’s “Nothing For Me, Please”, and I need to give the new Jason Isbell and the 400 Unit album a shot. 



    1 I absolutely reserve the right to update this as I listen to some of the albums that I missed this year. Janelle Monae, I’m looking at you specifically.


    2 With a thoroughly hilarious cameo by Don Cheadle.

  • 41 (aka 2023) was a hell of a year, and I think it’s worth taking some time to reflect on and be grateful for the many ways in which 41 was the best year of my adult life, and why I think 42 might be even better. It really boils down to two things: 1) a care team that works as a team, and 2) an employer who both encourages me to make healthier choices AND creates an environment where I can actually do so.


    41 Crushed 40


    As a lot of you know, I’ve been on a real health journey over the last eighteen months or so. One of the shitty things about changing jobs in the United States is that it too often means that you have to change health insurance, and that too often necessitates changing your medical providers and starting over with new doctors, specialists, etc., unless you’re willing to pay considerably more out of pocket to keep your old ones, or you get really, really lucky. My shift from the state to the Gates Foundation was no different; I went from an HMO (Kaiser Permanente/zombie Group Health) that I’d been using for almost 14 years to a more traditional health care insurance plan (Regent Group Administrators, a flavor of Blue Cross). I was apprehensive; I’m a creature of habit, and I’d grown up hearing about how frustrating private insurance could be (mom bearing the brunt of that particular labor, and Blue Cross being a particularly fun version of it), and I’d gotten pretty used to an HMO system that worked … well, worked-ish, at least in terms of getting things actually paid for with minimal fighting. My KP provider would refer me to a KP specialist, and everything went smoothly. I also really liked my primary provider at KP, a fellow former swimmer, Duck, and video gamer who I could commiserate with over swimmer shoulder pain, the lack of availability of the Xbox Series X that first year (when they were going for a 200-400% markup online), the latest bad coaching call, etc.

     

    So, when I showed up at the Foundation, I was really uncertain about how it would go. I hadn’t had to find providers in more than a decade, because with KP they’re mostly just picked for you. As part of orientation, they told us something that I sort of thought had to be a joke, about how there was a full-service health clinic in our parking garage (“There’s an Olympic-sized swimming pool on the roof.”[1]) A couple weeks in, it became clear that they were actually serious, and we really did have a clinic with actual doctors/nurse practitioners on the third floor of the Seattle Center parking garage. It also turned out that the Foundation would (as a matter of policy) pay the clinic any costs that weren’t covered by our (admittedly platinum-plated) health insurance. To sweeten the deal, Vera Whole Health (the clinic) even offered a small financial incentive for us to come see them: if we did a physical, a basic biometric screening, and a 30-minute consultation with a health coach, they’d send us a $100 gift card each year. That seemed like a no-brainer to me; I’d started commuting to Seattle a couple of days a week anyway, so it was reasonably convenient. Besides, I needed a new GP and I might as well try the free option that I could literally walk down the stairs to get to, right?

     

    So I did it. I did the biometric screening, and met with one of the staff nurse practitioners, a guy named Joe Gardner. We talked about my general health, and some reoccurring issues that I’d been having, and my desire to finally lose some weight and get in better shape. I’d watched how much the last few years of Dad’s life had been complicated by his health, and I didn’t want that to be me in twenty years. I also had a thirty-minute video call with one of their personal coaches, though through a hilarious mix-up I ended up talking to a very nice woman who worked out of their Anchorage office, and it took us both a little too long to figure out that we were in different states and different time zones. I went back to the clinic the next week to talk through my blood work with Joe, and he asked if I’d ever considered medical weight-loss interventions. Ozempic had just started hitting the news, and with my blood sugar getting perilously close to pre-diabetes, he thought I might be a good candidate to give it a try. He did warn me that the supplies were really limited and that it might be six or seven months (the beginning of 2023) before I could find a pharmacy that could actually supply it, but also that he’d start poking around and seeing if he could find someone who had it available. I mostly wrote it off as a cool idea, and figured I’d bring it up again in the new year when I did my 2023 physical.

     

    To my surprise, Joe followed through. He did a remarkable amount of leg work to find a pharmacy that stocked Ozempic and could get me the right dosage, and the week of Thanksgiving I got my first dry-ice packed shipment of injector pens.

     

    On Ozempic, and a Care Team that … Cares

     

    I’ll say up front that Ozempic is a hell of a drug. It’s NOT a miracle drug. It doesn’t make weight loss easy, as much as I worried early on that it would feel like cheating. It doesn’t make you lose weight on its own, and it won’t work without substantial lifestyle changes and personal effort. But what it DID do was fundamentally change my relationship with food.

     

    I’ve never had a particularly healthy relationship with food. I’ve always had a lot of internalized shame and stigma around my weight and my health in general, and frankly I should probably have sought therapy to talk about it years ago. I remember the first time my folks left me home when they were going out of town: the first thing I did was take the money that they’d left for me to eat for the weekend to Rosauers, and I bought a can of whipped cream, a frozen pizza, and a roll of cookie dough and ate myself sick. I’d guess that a lot of people I went to high school with will remember me mostly with an omnipresent 20 oz Coca-Cola in my hand (it was the first time in my life I had regular access to soda with sugar), and I’m pretty sure that anyone I spent time with in college will remember the frankly terrifying amount of Coke I drank each day once I had my own mini-fridge and no one watching my intake. College also meant essentially unlimited access to fried food at the cafeteria, which was paired with a real crash in the amount of exercise I was getting.

     

    While I’ve been *mostly* better since college when it comes to soda, I’ve continued to be the guy who is painfully and chronically aware of food in my general vicinity. If there were donuts in the breakroom, I knew it and would walk by every chance I got to see if there were any left. If there was a piece of cake in my fridge, I’d constantly think about it. At DFI, my window looked out at the 7/11 in the parking lot next door, and I constantly wanted to walk over for a Slurpee and a hot dog. And when I started at the Foundation and realized that the kitchen had a snack column (which included things like Oreos and Doritos, or a large container of peanut M&Ms), and that there were soda fountains on every other floor in both buildings, I knew how much of a problem it was going to be because those facts were always going to be somewhere in the back of my mind.

     

    [A dear friend visited me last summer on her way through town and offered a great metaphor for my experience. I never knew that she struggled with food the same way that I did, but she the way she talked about food really hit the nail on the head for me. It’s as if any food in the area is calling our names all of the time. (Not literally. We’re not ACTUALLY hallucinating desserts shouting come-hither lines.) Talking about the omnipresent and overwhelming AWARENESS of tasty things nearby was a revelation for me; I really had thought it was just me. I didn’t know that anyone else felt that way. And it was incredibly validating and important to hear.]

     

    Ozempic … quiets that voice in the back of my head. The one telling me every ten minutes that I should go get a coke, or a bag of Doritos, because who knows if they’ll still be there if you don’t? (Spoiler: they, in fact, always were still there.) Like, I still knew that those things existed and were easily available. I still knew that there was a donut shop a few blocks from my house. It just … didn’t matter as much? The freedom was and is incredible. It really hit home a few months after my 41st birthday when I realized that I’d had a gallon of super premium Tillamook ice cream (raspberry and white chocolate chunk!) and leftover cake in my freezer for months and I hadn’t thought to have either even once.

     

    Just like that, this demon that I’ve been fighting since I was a teenager, that had derailed me every time I tried to focus on improving my health, that was slowly killing me by inches, was … well, not gone, but rendered mostly impotent and small. Manageable. And combined with improvement in the quality and quantity of my diet[2], and regular exercise, the weight started to come off. Without a crash diet. Without feeling like I was depriving myself. Without feeling hungry all the time, without food journaling, and without the incessant voice whispering or shouting at me that I could sneak a piece of cake or a bowl of ice cream.

     

    [I mean, the sheer absurdity of SNEAKING a piece of cake at 40 years old, in my own home, that I share with only with the world’s least judge-y golden retriever. Sneaking it from whom? Denali? Denali doesn’t care as long as I share OR give her pets while I eat it. Preferably both.

     

    When I say unhealthy relationship with food, I mean UNHEALTHY relationship with food.]

     

    Ozempic didn’t make it easy, but it did make it possible. And it’s a self-perpetuating cycle; as I’ve lost weight and improved by fitness, I walk more, and ride more, and lift weights more. More exercise has lead to more sleep, and increased need to eat better fuel, which has resulted in substantial shifts in my diet (increased protein and fiber, decreased fatty foods and carbs).

     

    I feel so much better now than I did. And it’s both quantitative and qualitative:

      Blood sugar: 6.3 4.2

      Blood pressure: 140/100 115/75, even after dropping one medication and cutting the dose of the other in half

      Resting heart rate: 80 bpm 55 bpm

      367 lbs 283 lbs and falling (weight is usually a dumb metric for health and people should mostly spend less time obsessing about it, but in my case this is legitimately life-changing shift and it’s a handy short-hand)

      All of my blood test values in normal range, when they’d almost all been in unhealthy or borderline unhealthy places

      Average sleep from 5 hours a night to 8, and substantially higher quality sleep (this is even compared to how much better it got after I started using an APAP in 2017).

      My AppleWatch used to think I was exercising every time I took Denali for a walk. The first time I did a serious Peloton ride my heartrate hit 160 and my hands started shaking, and I had to sit down for a half hour to try not to throw up. Now I routinely get my heart rate above 160 bpm in workouts, and I both feel fine and recover back to a normal resting heart rate in a matter of minutes.

     

    I’m not saying it’s easy. Ozempic has a variety of pretty awful side effects. For me, it’s mostly been occasionally unrelenting nausea and a variety of unpleasant gastrointestinal issues. With Ozempic you start with small doses and work your way up to the full dose. The theory is that your body will adjust along the way and the side effects will abate. For me, they mostly haven’t, though the nausea is growing slightly less intense and frequent. I’ve mostly just learned to manage it; for example, it turns out that exercise is really good at taking the edge off of nausea for me. Changing my diet to include a lot more fruits, vegetables, and fiber and substantially less fatty food has been a life-saver. Reducing my alcohol intake (which was never particularly high, to be clear, despite my slightly ridiculous whiskey and wine collection) and starting intermittent fasting has been really helpful too, and I’ve discovered that my injection site matters a lot in terms of both effectiveness of the drug and the amplitude/frequency of the side effects.

     

    All of this is possible in part because I finally got a practitioner who didn’t just tell me that I need to lose weight, but who took the time and attention to ask more questions, to admit when he didn’t know something and needed to do the research, and who followed up and worked with me to find a solution that works for me.[3],[4]

     

    And it’s not just Joe. When I go back to work in January, I will have my 70th or so weekly meeting with Lou Anne, my Vera-provided personal coach. We’ll talk through the goals I set for this vacation (divided into three groups: eating[5], moving,[6] and miscellaneous[7]), we’ll talk about what went well, what I learned from it, and what my goals will be for my first week back at work. That accountability is part of why I’ve been successful in turning my health (physical and mental) around. It’s also why I’ve done Duolinguo Spanish basically every day for more than 400 days at this point, why I’m buying a lot fewer mochas, and taking time every week to reflect on the prior week: I know that if I don’t accomplish any of the goals I set for myself each week, I will have to tell Lou Anne about it on Tuesday. And while she’s not particularly judgmental (and honestly gives me more slack than I give myself most of the time), knowing that I have to tell her where I’ve ‘failed’ is good motivation. At the end of January, I’ll have my monthly meeting with my Vera-provided registered dietician/nutritionist to talk about how my diet worked while I was on vacation and not in total control of my schedule. I’m also pretty sure that something I tell one of them will end up in my chart, and I’ll get a follow-up e-mail from Joe about some question that I asked.

     

    This is what a health care team should look like. I’m incredibly privileged that I get this access, and that I don’t have to work particularly hard or make complex arrangements to get it. Joe and Lou Anne are in my parking lot, and while Megan (the dietician) is located in Kansas City, she’s only ever a video call or an e-mail away).

     

    As always, your mileage may vary. Every person is different, and you can’t change unless you really want to. For me, Ozempic isn’t a cure-all. But it genuinely makes it possible for me to succeed where I’ve always failed before. And no one really knows what the long-term plan is for folks taking Ozempic; it might be that I take an injection every week for the rest of my life. I can live with that, but also I’m thinking about what I can do to lock these new habits in place and maybe be able to wean down or off it.

     

    The other thing that has contributed so meaningfully to my health journey is my employer and an actual commitment to work-life balance, something the state pays a lot of lip service but rarely lives up to.


     

    On Respect in the Workplace

     

    I’m sure y’all are sick by now of hearing about all of the great benefits provided by the Foundation. This post has not been devoid of it, certainly. But honestly, a huge part of why I’m able to work on my own health is that for the first time in my life, I work for an employer who genuinely prioritizes my health and well-being, both at the macro level and the microlevel.

     

    First, the macro. I’m going back in January to do my first 4Cs conversation. (4Cs is the Foundation’s personnel review/evaluation process.) I’m pretty sure that one of the things that my boss is going to talk to me about is the fact that while I was expected to take three weeks of vacation in the second half of 2023 (after I was converted from an LTE to an FTE), I took a grand total of … one day off. (Maybe two?) [The Foundation closure from 12/15 to 1/2 doesn’t count.] For many organizations, unlimited PTO is a trap; they know that employees with unlimited PTO will use less than they would if there were a defined amount. That may well be true of other parts of the Foundation, but at least within my division we’re serious about staff taking at least six weeks (again, not counting the closure or any observed holidays). They’re also quite serious about us actually being on vacation when we’re on vacation; if I were to send an e-mail the first week of January when the Foundation is open and I’m still on leave, that would also end up being a part of my 4Cs conversation later in the month. [Taking a vacation without my work phone and without checking my e-mail every couple of hours? Preposterous!] This is going to be a challenge for me in 2024. When I left the state, they paid out almost a month of unused leave (and this after 1) I lost some during the pandemic due to inability to use it, and 2) I used a full month of leave between my last day in the office and my actual last official day on AOC’s payroll). When the Foundation converted me from an LTE to an FTE, they paid me out almost three weeks of unused leave that I’d accrued over less than a year (I’d earned a total of like four weeks of leave in that period). I’m going to try to get ahead of this challenge by planning trips for 2024 that will force me to take chunks of vacation. (I know, I know. Life is super hard. I know how silly it is to complain about this. Only the most first-world-y, sparkly problems for me.)

     

    And then the micro: I’ve never worked for an employer so committed to day-to-day quality of life for its employees. (Again, this may not be universal to the Foundation, but it absolutely is true for my Division). My colleagues frequently duck out during the day to get a workout in at the Foundation gym. Or to take their dog for a walk. Or to hang out with their kids. Hell, I ducked out for an hour the other day for a coffee date. The first time I told my boss that I was going to take a long lunch to get a Peloton ride in, she looked at me quizzically and asked why I was telling her that. I still usually try to let my teammates know if I’m going to be out for a bit just in case they need something from me, and universally the response is “is there anything you need me to cover for you?” I had at least a half dozen conversations the week before the closure/my trip with colleagues about whether there was anything they needed to cover to while I was out the first week of January, because we’re all committed to making sure that we really lean into and enjoy our vacations.

     

    Respect in the workplace. It’s a trip, right?

     

    On The Perils of being a Living Single Point of Failure

     

    At the state, with the exception of like … six months, I was the only person in each of my positions and had a relatively unique skill set that no one else was able to cover without substantial training and preparation in advance. As a result, for fourteen years, every time I was out of the office I was painfully aware that work was accumulating that I would have to somehow balance with new work when I got back. This was a reoccurring problem for both me and for my staff in each job. Because of that, no one could really disengage and enjoy time off. One of my line staff had been in her (entry level!) job for most of a decade, and had basically never taken a vacation because she felt like she couldn’t. That horrified me and I did my best to cover for her and let her take time off, but that’s not sustainable.

     

    It’s really wild to not be a single point of failure anymore. Like, I know my value to the Foundation. I know the quality and quantity of work I accomplish. I’m really good at my job.[8] I’m certain that if I left (or won the lottery, or got hit by a bus[9]), I’d be missed and it would be a hardship for my colleagues to pick up the load. But I also know that they could absolutely do it. And that knowledge means that when I’m out of the office, the work isn’t just piling up. I know that when I get back next week, I’ll have a one or two hundred e-mails to triage, but I also know that nothing important got missed or was waiting for my return, and that’s incredibly freeing. This upcoming week will be my third consecutive week out of the office, and while I’ve got some important projects that I’m excited to dive into when I get back, I can also honestly say that I have spent zero time or bandwidth on a single one of them over the last two weeks.

     

    And then there’s the day-to-day workload. I genuinely work a 40-hour work week. (Okay, maybe a 45-hour work week because I’m not great at actually logging out at 4:00 when I’m working on something.) I think I’ve worked two or three evenings and zero weekends in 18 months (compared to at least three evenings a week and two or three weekends a month for years for the state). And that 40-45 hours is PRODUCTIVE. Even as I’ve added a bunch of new responsibilities that come with meetings over the last few months, I’m still spending waaaaay more time actually doing the work during the week compared to any job I had at the state over fourteen years. My group sometimes jokes about our overly-fond attitude towards meetings, but we ain’t got nothing on the State of Washington.

     

    Free time? What’s Free Time?

     

    The end result of all of these wonderful things is mental and emotional bandwidth to do things that aren’t work. I can meaningfully disengage from work and spend time with family and friends. I can take time every day to study Spanish. I can spend more time with Denali and take her for higher-quality walks and give higher-quality snuggles. I plan my week out ahead of time, not because I have to just to keep my head above water, but as a way to make sure that I build in time for exercise, stretching, study, relaxation, and cooking/eating cleaner instead of stopping at McDonalds on my way home because I know I’ve got to log back in for a couple hours. I’ve got an inch-thick stack of the menus and goals I’ve set every week since last August, and more often than not the goals are all checked off and the menus completed. Feeling like I accomplished something with my week means I wake up on Mondays feeling energized and ready for new challenges, not dreading the coming week and the stress it will bring. And I have time the time and inclination for self-reflection and goal setting; first thing each Monday morning, I sit down and reflect on what I’ve accomplished and what lessons I can take away from past week, and then I figure out what I want to accomplish in the coming week, what I want to cook, and what things I need to plan for or around. As a result, I don’t spend a lot of time during the week worrying about what I’m forgetting, or what I won’t have time for … because I know. And because I’m trying to learn from my mistakes, I make sure to build in enough flexibility for the unexpected.

     

    2023 was a great year. I’m happier and healthier than I have been as an adult, and I feel like I’ve rebuilt my life around a structure that encourages me to figure out (and seek) what I really want, rather than what I think I should want, or what others think that I want, or what society tells me I should want. And that’s not nothing.

     

    Why 42 is Going to Kick 41’s Butt

     

    As a lawyer, my work is often serious with serious consequences for screwups. I think it’s natural and maybe even inevitable that all-too-frequently, I take myself too seriously as a result. One of the things I love most about Denali is how utterly shameless she is. She has virtually no artifice. If she likes something, she loves it and she doesn’t hide it. I think we can all learn a little from the guileless, child-like glee of a golden retriever. So here’s to a 2024 of personal growth, pursuit of bliss, a healthy portion of childlike glee, and a surfeit of quality time with the people (and dogs!) that we love.


     

    Some goals for 2024:

      At least four trips with some portion just for fun.

    o   I’m already spending March in Hawaii, two weeks working and two weeks playing.

    o   I’m supposed to go to DC and Beijing for work, and I’d like to potentially extend both a bit to get some fun time in as well.

    o   I would love to go see Dylan and Ruty in Singapore again, preferably this time without the whole getting-COVID-on-the-plane-and-then-infecting-them thing.

    o   I did a long weekend in Victoria like five years ago over V-Day weekend. I want to do that again this year (well, maybe not over V-Day this time); catch the Seattle ferry up for three or four days of hanging out.

    o   I really enjoyed my ridiculous all-inclusive resort trip to Playa Del Carmen last year, and it’d be fun to do one of those every couple of years.

      ACTUALLY USE SIX WEEKS OF PERSONAL LEAVE.

      Some fun, fast (and safe!) driving, preferably with a suitable mid-life crisis car. I’ve got a three-day rally driving class scheduled and paid for in early September 2024. I need to spend enough time driving a stick in the meantime to make the highest and best use of that opportunity.

      A 5-mile hike with Denali. (We can both totally do this distance; it’s just a matter of balancing our enthusiasm for sniffing ALL OF THE THINGS with a desire to complete the hike in a timely manner. I’ll let you guess which of us is primarily responsible for each of these conflicting desires.)

      A triathalon. I did the Aluminum Man in The Dalles every year with dad for quite a while, but it’s been a long time, and I think I’m in decent enough shape now that I can safely train for and compete in a sprint tri.

    o   This means acquiring a bike that I can safely ride at this size.

      Figure out some metrics to decide if I can safely try skiing again in the winter of 2024. Skiing used to be one of my blisses, and while I’d sort of given up hope of being able to do so safely, this year was a real revelation in terms of what I can accomplish when I dedicate myself to something. I already had a conversation with Joe around the kinds of things I need to be able to do for skiing to be a real option, and the Spring of 2024 is going to be for figuring out exactly what that go/no go looks like. I don’t need to get back to black diamonds, but it’d be great to be able to go up a couple of times a year and have some fun seeking the pow. [Also I’m pretty sure Denali would be obsessed if I tried cross country again.]

      Continue my health journey, physical and mental.

      (Maybe find a therapist for my relationship with food.)

      Go on some awesome dates.

      Do things like this more often. I genuinely don’t expect anyone is reading this at this point. It’s an exercise in self-indulgence. But that’s okay, and it’s fun, and I like thinking about and engaging with this kind of stuff. Here’s to a 2024 of leaning in on seeking bliss.

     

    Cheers, y’all. Here’s to a 2024 of bliss.


    [1] https://twitter.com/Hackers_bot/status/1597522284717248512

    [2] More on this in a later post.

    [3] [It’s not just weight, btw. I’d had trigger fingers on both my middle fingers for five or six years (not from overuse, I swear!), and Kaiser’s solution had just been to do cortisone injections that would work for a few months and then go back to being really painful. When I mentioned to Joe that I needed another injection, he immediately asked me if I wanted to go see a specialist and talk about surgical intervention. Two weeks later I was at Seattle Hand talking to Dr. Jimmy Daruwalla, and a month (and five minutes of surgery) later I was pain free.

    [4] HOLY SHIT IT MATTERS TO HAVE A PRIMARY CARE PROVIDER WHO LISTENS AND CARES AND IS EMPOWERED BY THEIR EMPLOYER TO DO SO.

    [5] Mostly this revolves around preparing and following a menu each week (with limited meals out).

    [6] Usually a number of cardio and weights sessions, stretching sessions, and planks each week.

    [7] Duolinguo, weigh-ins, weekly reflections, checking in with accountability buddies, etc.

    [8] And super modest, obvi.

    [9] I call this the “hit by a bus problem,” but my boss prefers to call it the “powerball problem.” Pota-toe, potah-toh.

  • MSRP $299, $260 on regular sale, $230 renewed from Amazon]

    [Tl;dr: These are great travel headphones for when you want really good noise cancelation. The sound quality is pretty good, but not what I want for a pure music headphone. They continue to be my go-to plane headphone, but I very rarely reach for them in any other context; they live in their case under my computer desk when they’re not in a suitcase.]

    Scores:

    Cost-agnostic: 7 out of 10 Denalis

    Cost-sensitive: 9 out of 10 Denalis

    Intro. The Bose 700 is Bose’s current flagship consumer headphone and has been for at least the last couple of years. I was actually really surprised to discover that I hadn’t ever reviewed these, so this is part of a series where I go back to old standbys that I apparently failed to review early on.

    These are probably my … tenth pair of Bose headphones? I’ve had the QC15s, QC25s, demoed a pair of QC45s for a month, and have had a few of their wireless earbuds (Soundsport Pulse Wireless, which I loved), and a variety of wired earbuds over the years (particularly the SoundSport line, which I also loved).  I’m mostly a fan of Bose’s mostly-neutral sound profile, and they were the first company that I experienced with really good active noise cancelling (“ANC”) that didn’t produce so much overpressure that it made me uncomfortable after a few hours. These 700s were the first noise-canceling Bluetooth headphones I’ve kept long-term.

    Sound. These aren’t audiophile-grade headphones, but they’re not really supposed to be. Their niche is decent sound and really good noise cancelation for the consumer market. [Note: I mostly only use these with the ANC turned on all the way, so my review of their sound is based on that experience. Most testing was done with an iPhone 15 and Apple Music, with locally-stored CD-quality files (in Apple’s proprietary format), though some was also done using locally-stored Amazon Prime TV shows or using Delta’s in-flight infotainment system.]

    Standard disclaimer from other Bluetooth reviews: It’s still Bluetooth so you’re always getting a lossy signal and it gets more complicated when you start using the on-board mic for phone calls. Unlike a lot of Bluetooth-enabled headphones, these do have a wired option and that eliminates this downside if you don’t mind having a cord attached.

     

    Treble: The treble on these isn’t particularly noteworthy or dynamic, but it’s perfectly acceptable. Brass fanfare on Brasstrack’s “Intro” is nice and forward without being harsh, and the bright high strings on Yo-Yo Ma’s rendition of “1B” are clean and crisp. They even do pretty well with the high synth warbles on Sylvan Esso’s “Coffee,” and Miles Davis’ muted trumpet on “Will o’ the Wisp” is genuinely nice. 

     

    Mid-range: The midrange is fine, if not particularly crisp or dynamic. You can still hear the claps on “Paradise Circus” by Massive Attack, but they’re a little buried in the mix through the 700s compared to a lot of headphones in this general range. Both male and female voices are reproduced reasonably faithfully, though Christine Hoberg’s voice isn’t quite as elevated or forward on Flight Facilities’ “Clair De Lune” as I would prefer. Tracey Thorn’s vocals on “Hunter Gets Captured by the Game” are lovely and present.

    Bass: The bass is nothing to write home about, but is also generally fine. (No doubt you’re noticing a pattern by now). You can hear most of the notes on “Paradise Circus” by Massive Attack, even if the attack isn’t particularly pronounced or crisp and some of the faster notes get a tiny bit muddled or spluttery. “Superpredators” is reasonably clear, if a tiny bit sloppy when the woofers are trying to reproduce too many bass frequencies at once. You do lose a bit of the bass line on Janet Jackson’s “Got ‘Til it’s Gone”, but that’s a pretty common complaint for me with most headphones. They do manage to convey the heavy atmosphere of Andy Stott’s “Violence,” which isn’t a trivial thing.

    Overall: These are fine consumer/prosumer-grade headphones. The soundstage isn’t particularly wide (even on a track like DMB’s “So Much to Say” that normally feels very wide and seperated), and the dynamic range isn’t great (the slow crescendo in Glass Animals’ “It’s All So Incredible Loud” isn’t that noticeable). That said, I’m not sure you’re ever going to get particularly great sound while using ANC in a loud environment like a plane, and that’s not the purpose of a pair of headphones like this.

    Noise canceling. The ANC on these is definitely the standout feature (and the reason I still own these). The background noise is substantially reduced and the headphones don’t generate the kind of overpressure that I associate with many other noise-canceling systems. They don’t have the same high sampling rate as headphones like the AirPods Max or Pro2, so they’re a little more susceptible to new noises (or brief noises like someone snapping or a car backfiring), but their ability to cancel out steady, baseline noises is unparalleled even compared to much more expensive ANC headsets I’ve used. The AirPods Pro2 are a surprisingly close in terms of background elimination, but there is a reason I throw the Bose in my bag whenever I’m getting on a plane. 

     

    Spatial audio. Nope!

    Controls. The controls on the Bose are not unintuitive, but they are different than most of my other headphones. I think I’d internalize them pretty well if I used them more frequently, but given how little I’ve been traveling over the last four or five years, I have to spend a little time on each flight remembering how they work.

    Basically, the front half of the right ear cup (but not the bridge) is touch sensitive. Swiping up and down increases or decreases volume, a swipe forward or backward skips tracks forward and backwards, a double tap pauses or plays, and a press and hold announces the battery level. This is mostly fine, as long as you put the headphones on the right way (remember: the buttons go on the back of the headphones!). There’s an on/off button on the back of the right ear cup which you press once to turn off and off, or hold to set Bluetooth pairing, and a button on the back of the left ear cup that turns ANC on 100%, 50%, or off. 

     

    They’re just different enough from the Beats Studio Wireless that I use every day when walking Denali that they throw me off each time I used them, I’ll hold the power button to turn them on (as I would on the Beats) and will inadvertently enter pairing mode, or I’ll try to press and hold to trigger Siri and instead will get battery levels, etc. I’d always prefer physical buttons for audio control, but these are still fine.

    So overall, the controls are mostly not bad, just not what I expect in the year of our Lord Steven Jobs 2023.

    Connectivity. Bluetooth or corded. Pairing isn’t as slick as AirPods, but honestly nothing really ever will be. They connect easily to my various iOS devices, Apple laptops, and PC laptop/tablets and I never had a problem getting them connected. They will connect to two devices at once, which is nice when swapping between music on my phone and a movie on a tablet. My only complaint is an infrequent but annoying one second audio cutout when connected to a Samsung Tab A, but I honestly don’t know if that’s an issue with the headphones, the tablet, or the combination of the two.

    Weirdly, I really love that these have an optional 1/8” audio cable. Paired with an adapter, they’re great for using in-flight infotainment systems, which as far as I can tell you can’t do at all with the AirPods Max without a Bluetooth adapter.

    Charging is accomplished using a USB-C cable, This is nice, and I would like Apple to get their act together and adopt the USB-C standard for things other than iPads and the new iPhone.

    Bose says that these can run up to 20 hours on a single charge, and that seems about right. After about 14 hours of flight I was down to around 10% charge, but these are also a few years old and I tend to charge to 100% more than is probably good for the battery.

    Comfort. This is one of Bose’s strong suits. When I first got these I was worried that the clamping force was too weak and that they’d slide around or slide off my head during use, but I’ve never had a problem. That might be in part due to how light they are; there’s not a lot of inertia when you move your head around with them on, unlike say the AirPods Max (which are really quite heavy). These are comfortable for long periods, even when wearing glasses that have a tendency to cut into my temples a little with headphones on. The cups individually slide up and down on the U-shaped central bridge, which gives you a lot of control over their positioning, though they do need to be slid all the way up in order to fit in the provided case, which means every time I take them out there’s a little bit of futzing around to get them comfortably sitting on my ears.

    Construction. These feel light and relatively cheap, but they appear to be solidly constructed. I’ve definitely dropped and stepped on them over the years, and they’re still in great operational condition. Basically made entirely out of plastic, with what I’m pretty sure is pleather ear cups with decent foam inside. 

     

    The included carrying case is really well done, too. There’s a compartment for the various bits and bobs (USB-C charging case, audio cable, etc., and enough room for an Apple dongle or plane converter too). The fit is tight but not overly so, and the case is slim enough that it slips into my carry-on or a seatback pouch easily.

     

    Appearance. I think they’re stylish. I went with the silver option, which is nice, clean,  and modern-looking, if not quite as visually striking as the AirPods Max. They’re distinctive enough that other headphone nerds will 100% recognize them out in public, for better or worse.

    [ignore the two weeks of unrestrained beard growth. I’ve been on vacation.]

    Comparisons. There are definitely a lot of decent ANC options on the market these days, and the Bose’s competitors run the gamut from less than $100 to thousands of dollars, with the introduction of some of the audiophile manufacturers’ Bluetooth and ANC options. Of the things I’ve spent a lot of time with, I think the most reasonable comparisons are the AirPods Max and Pro2, the Beats Studio Wireless, and Bose’s own QC15/25/45 line. 

     

    The 700s beat the Beats pretty handily, both in terms of sound quality and ANC. These are just a better product all around, especially if you’re looking at both at MSRP. If you’re looking at the prices you’re actually paying these days for both … yeah, the 700s are still just better. I have and use the Beats because they’re cheap enough to replace that if I break them in the gym or if they get wet while I’m walking Denali, I won’t be heartbroken. For anything where I care about sound quality or actually really want noise cancelation, I’d grab the 700s every time.

    The AirPods are a much closer comparison to me. Both sets of AirPods have better sound quality than the 700s for almost every application, but I think the 700s edge out both in terms of pure cancelation of steady background noise (though the Airpods easily beat the 700s in terms of canceling brief, intermittent noises with their frankly ridiculous sample rates). The Pro2 are pretty comparable in price (you can get both for around $250 most of the time). In the vast majority of situations, I’d go with the Pro2. They’re just such damned. Good. Headphones. And so much more versatile; they’re in my pocket 95% of the time when I’m out of my house, and within arm’s reach almost all of the time when I’m in it. That said, specifically when on an airplane, the 700s edge the Pro2 out. The slightly better noise canceling, the fact that other people on the plane know that I’m clearly wearing headphones, and the ability to hardwire to the plane’s system … it’s enough to make the 700s the plain (plane ?) winner. I currently have the Max sitting on the shelf next to me on the plane and I’ve been swapping back and forth, and I keep coming back to the 700s. Again, the sound quality is still better on the Max (and for extra $200 or so, it should be), but I think the baseline ANC is better on the 700s.

    As for the other Bose: there’s a reason that I packed these instead of the QC25s sitting in my closet, and why I’ve done so every time I flown since I bought them. I think the QC15s and QC25s have slightly better noise cancelation, but both are wired-only and on a plane, Bluetooth is just a really convenient option to have. I was … deeply unimpressed with the QC45s I tried a few years ago. They packed a little smaller (having a folding bridge), but these are just better headphones and in the same general price range. Probably time to find a new home for the QC25s …

    Value. At MSRP, these are $299 which is more than the AirPods Pro 2 at MSRP ($250, $220 on sale most of the time). I think the Pro2 are a better headphone, most of the time and in most circumstances. That said, I’ve maintained all along that the Pro2 are an incredible value and not a fair metric for most headphones to be judged against. These are good headphones, and very well suited for a specific purpose. If I broke them, I’d definitely replace them (that is, if Bose didn’t swap them out for free, which they’ve done for a number of pairs of their headphones over the years).  Consider the fact that they’re almost always available on sale given their sheer volume of production, and I think they’re a really decent value.

    Overall. These are my go-to plane headphones for a reason, and they continue to be so despite some really strong offerings in this market in the last few years. I’ll use them anytime I’m on a plane, but pretty much no other contexts given the kinds of headphones I have kicking around. 

     

    #reviews #headphones #apple #anc #bluetooth #spatialaudio #onear #bose #travel #2023

  •  [[MSRP $250, $199 on direct from Status on Father’s Day sale]

    [Tl;dr: These headphones are really inconsistent in sound quality; they sound amazing for some tracks and genres, and pretty lousy for others. The biggest problem with them is that they’re in the same price bracket as some really exceptional offerings that they just can’t really compete with. When they’re good they’re great; when they’re not, they’re really not, and I am clearly not their target audience (though they’re marketing pretty hard to me, all the same).]


    Scores:

    Cost-agnostic: 6 out of 10 Denalis

    Cost-sensitive: 3 out of 10 Denalis


    Intro. Four or five people have asked me about these as I’ve posted various reviews of true wireless earbuds over the last few months and I’ve been seeing their ads a lot, so I decided to give them a shot when I saw them on a pretty decent (20% off) sale right before Father’s Day. Depending on what you listen to and how you listen, these may be right up your alley. For me, though, they’re a little too inconsistent and don’t sound good on some albums and artists that I really love; enough that they’re not going to be my go to.


    The 3ANC’s big claim to fame is three separate drivers in each earbud. I’m, as a general rule, skeptical of multi-driver earbuds that aren’t super high end, as it often feels like a gimmick to try to cover deficiencies with each individual driver (it’s way easier to design multiple drivers with smaller ranges of sound than a single driver that covers the gamut well), and that certainly seems to be true of these. They’re shine on full-sound and modern-mastered tracks, but struggle with tracks that leave individual drivers isolated and working alone, and they seem to also struggle a bit with albums mastered before the 90s or anything being listened to at quiet volumes.


    All in all, while the 3ANC are marketed as prosumer- or audiophile-grade, I’d put them solidly in the high-end consumer market. [i.e. fine for most folks, but probably not going to be a go-to for me.]


    Sound. Man, after the first few tracks I listened to with these I got really excited about the sound quality. At their best, they’re rich, deep, and nuanced. The sound stage is genuinely incredible for earbuds; on Bill Wither’s iconic “Use Me” the instrument separation was amazing and I’ve never heard that song this way. The panning on Beyonce’s “Hold Up” is nothing short of a marvel, and something I’ve never experienced from earbuds that aren’t running Apple’s proprietary Spatial Audio standard.


    [A quick note: the 3ANC has a couple of EQ modes as well as some reasonably granular controls. I found the Status Signature sound setting way too bass-y and muddy (think Beats’ sound profile) so I did pretty much all my listening on the Status Audiophile setting.]


    Treble: The treble generally sounds pretty good. It’s clean and crisp, and only rarely drifts into sibilance. They pretty accurately reproduce the highs on Vampire Weekend’s “2021” (my go to for testing trebles because they’re badly recorded/mastered in a very specific way). The high synths on Jamila Woods’ “Zora” (a track y’all should listen to right now) are clean and nicely separated from the rest of the mix without being overbearing.


    Mid-range: This is also mostly a strength. The reproduction of Bill Wither’s voice on “Use Me” or Jamila Woods’ on “Zora” is clear and present without being over emphasized. Kendrick Lamar comes through cleanly on “LOVE”, and Owl Eye’s ethereal vocals on Flight Facilities’ “Clair de Lune [live with the Melbourne Symphony Orchestra]” float through and play within the mix in a really lovely way.


    Bass: This is where things get confusing. At its best, the bass is nimble and clean on things like Nightmares on Wax’s “Damn” [sampling Al Hirt’s “Harlem Hendoo”, which will be familiar to anyone who likes De La Soul], Tiesto’s “The Motto”, and Maxwell’s “Ascension”. It’s even pretty good on Janet Jackson’s “Got ‘Til it’s Gone” (my go to for checking low end bass), but it starts to get splatter-y and clip-py when all the drivers are going full-blast on things like Anohni’s “4 Degrees”, Rationale’s “Fuel to the Fire”, or some of the drums on Jimi Hendrix’s “Electric Ladyland.” It seems particularly challenged by heavily-accented bass notes, especially where there are other sounds in the bass range going at the same time. Makes me wonder if the main (bass) driver is pretty limited so the crossover is feeding “bass” to the other, smaller drivers that can’t really handle them.

    Overall: If you mostly listen to top 40 pop, you will probably like these headphone’s sound a lot. It does well with modern mass-market mixing where none of the drivers are left alone and unsupported; if you like other kinds of music (particularly those that are detail-oriented or have a lot of isolation of specific audio ranges), less so.


    Side note: sort of damningly, Born Gold’s “Bodysongs” album sounds really good on the 3ANC. This is an album that I love but is mastered so poorly that it sounds awful on a decently resolving pair of speakers or headphones, and I’m skeptical of anything that makes it sound good.


    Standard disclaimer from other Bluetooth reviews: It’s still Bluetooth so you’re always getting a lossy signal and it gets more complicated when you start using the on-board mic for phone calls.


    Noise canceling. The noise cancelling itself is pretty decent; it’s not up to the standards of say the Bose 700s or QC25s (or even the AirPods Pro 2 or Max) but it’s pretty decent at blocking out background music or office noise. It does its job.

    Transparency: I was excited to try a non-Apple version of a transparency mode, but that was maybe the most disappointing “feature” of the 3ANC. Whatever algorithm they’re using to determine which things to amplify and which to tamp down makes some VERY strange choices. The wind gets really amped up, as do things like chainsaws, gravel crunching, and dog noises, but not humans attempting to talk to me. And, maybe most damning, it consistently decides to wildly amplify the sound of cars racing up a hill a few blocks away, to the point where I was pretty convinced that someone was bombing a modded Honda Civic down my street, not up the hill two blocks away. It’s bad enough that I just turned it off after the first few days; it was incredibly distracting and misleading about what was going on around me.


    Spatial audio. Nope!


    Controls. These are weird and pretty non-standard. I’m used at this point to most headphones intended for use with cell phones to follow the usual (Apple-created?) standards of double-tap to skip forward, triple-tap to skip back, etc. These … don’t do that. A single tap on either ear piece pauses or plays, but skipping is accomplished by a double tap on the left earpiece for back and the right for forward.It’s suboptimal when you only have one hand free, like when you’re, say, walking a dog.  I also couldn’t find a way to turn ANC/transparency on or off without opening the iOS app, which requires clicking a bunch of buttons to get connected before you can make changes. The controls do work well once you internalize them, and I mostly didn’t inadvertently do things after the first couple of days.


    So the controls are mostly not bad, just not what I expect in the year of our Lord Steven Jobs 2023.


    Connectivity. Bluetooth only. It’s not as slick as AirPods, but honestly nothing really ever will be. They connect easily to my various iOS devices, Apple laptops, and PC laptop/tablets and I never had a problem getting them connected.


    Charging is accomplished using a USB-C cable, and they’re near-field charging enabled. This is nice, and I would like Apple to get their act together and adopt the USB-C standard for things other than iPads.


    Comfort. The design is a little odd in that there’s a plastic rectangle that hangs off of the ear buds which took a little getting used to, but they’re generally comfortable enough that I forget that they’re there. My two gripes are that the design makes it feel like they’re fall out when I’m walking around (and especially when I’m sweating), and that every time you pull them out of your ears the silicon tips turn inside out and they don’t fit in the case until you manually flip them back down. The box includes four pairs of silicon tips and I’d guess that almost everyone will be able to find a pair that fits them (for me, I moved up one size from the ones that came pre-installed. Fair warning; getting the new tips attached is way more annoying than it should be).


    Construction. They’re pretty typical ear buds: lightweight plastic and silicon. The case feels pretty solid, though the way that the buds are inserted into the case makes it difficult for those of us with sausage fingers to get them in and out at times (especially while sweating).


    Appearance. They’re stylish. I prefer the cleaner look of things like the Beats Studio Buds or the Campfire Orbit, but they’re no dorkier than the AirPods that I wear all of the time and at least they come in multiple colors that aren’t bright white.



    Comparisons. These exist in a pretty crowded market space right now, with the AirPods Pro2, Campfire Audio Orbit, and a couple of the Beats offerings at the same basic price point, not to mention a bunch of things by B&O, Sennheiser, Jabra, Bose, Sony, etc. $250 is a crowded space for true wireless with some great products out there.

    Talking just about sound quality, I don’t think these can meaningfully compete against the AirPods Pro 2 or the Orbit. Both of those headphones use a single, custom-designed and really excellent single driver to give a full range of clean sound, while the 3ANC sometimes feels like the drivers are fighting against each other. Crossovers are complicated and hard to get right, as far as I can tell, and I’m not sure Status has cracked that particular nut yet. I do think for a lot of my listening that the 3ANC are better on sound quality than things like the Beats Studio Buds or the Jabra Active 65t, but they’re also 2-3 times more expensive than those offerings and I’m not sure that they’re that much better. They’re more fully featured than the Orbits (ANC, transparency), but I don’t think I’m willing to drop sound quality this much in order to get those features.


    Especially if you’re already in the Apple ecosystem (with iPhones, Mac laptops, etc.), these just cannot compete with the AirPods Pro 2 at all. I understand that this is a really unfair comparison (Apple is one of the largest manufacturers in the world, with a large team of dedicated engineers, the ability to custom design, print, and build bespoke audio chips, drivers, and other components and making inventory in the tens or hundreds of thousands of units), but that product is SO DAMNED GOOD that it’s really hard for any product to meaningfully compete. It’s always going to be the standard that I compare new things against.


    Value. At MSRP, these are $250 which is the same as the AirPods Pro 2. The 3ANC appear to often be on sale, but the Pro 2 have been on sale at Costco for around $200 for as long as I’ve been paying attention.  At this price point, I would absolutely rather have the full-features of the Pro2 or the singularly-excellent audio quality experience of the Orbits. Nothing I’ve experienced with the 3ANC makes me think they’re worth the $250 price point; if they were in the $100-150 range they’d start to be a consideration.


    Overall. These are a really interesting pair of headphones that provide a good (and occasionally great!) listening experience across specific kinds of music. Overall, though, they can’t really compete with other things in the market at this price point, and some of the flaws in their audio reproduction are jarring enough that an audio nerd like me probably won’t ever reach for them given the available alternatives. I’d really love to see more independent audio companies breaking into the market and offering great options, but I think this just isn’t it yet.

    #reviews #headphones #apple #anc #bluetooth #spatialaudio #inear #beats #meh #statusaudio #2023