Phil's Superpower of Enthusiasm

A place to write about things I enjoy, for my own edification. Headphones, audio gear, albums, whiskey, wine, golden retrievers etc.

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  • [Tl;dr: I really like the AirPodsPro Gen 2. I didn’t want to. But damn, Apple figured some things out.]

    Scores:

    Cost-agnostic: 10 out of 10 Denalis
    Cost-sensitive: 9 out of 10 Denalis.

    1. Scores:
    2. [Update 1/20/24:

     

    [Update 1/20/24:

    after more than a year, I thought it was worth briefly revisiting the AirPods Pro 2. They’re … still great. They more or less live in my pants pocket, and when I recently thought that I’d finally misplaced them, I immediately went to Costco and bought another pair (in my defense, they were like $80 off on sale). I found my original pair, but I’m holding on to the second as a backup. The new version is identical in almost every way to the version that I originally reviewed, with the exception of having swapped the Lightning charging port on the case to a USB-C port to match the new generation of iPhones (and apparently they added some support for the new Apple VR device which will mean nothing to me).

    The sound is still really, really good. To the point where I’ve stopped carrying wired headphones to my office, and I haven’t plugged into the headphone amp on my desk in probably six months. These are so well-designed, and both the ANC and pass-through systems so well adapted to an office environment, that they’ve become my go-to for work. Also, to my great surprise, I used them for part of a flight to Europe in December and the ANC is just damned impressive.
     
    No change to the scoring; they continue to be a damned near perfect device, and while the price is a lot lower now on sale ($180), I just can’t give a $180 pair of earbuds a price-sensitive 10/10 Denalis). I still don’t particularly want to like them, but I just can’t help it. I do. I really do.] 
     
    I … have a lot of headphones. These are the ones I found in my house in a five minute sweep, and doesn’t include the dozen pairs at my office or all the ones scattered throughout various backpacks and bags in my house, or the drawer full of the free headphones that have come with various devices over the years.

    Like most people who take music pretty seriously, I have spent a lot of time trying out new makes, models, styles, etc., and have upgraded a lot over the years. Over the years, my tastes have changed and I’ve moved from valuing convenience to valuing transparency and feel, and as such I’ve mostly left behind wireless (especially Bluetooth) headphones. As anyone who has talked to me about this knows, I’ve been pretty down on Bluetooth as a protocol for music (can’t run lossless signals, can’t run stereo and use a microphone at the same time, etc.), and have been pretty contempuous of Apple headphones in particular (except the original, white wired headphones with the old 1/8″ jack, which remain one of my all-time favorite cheap headphones and I wish I could buy a half-dozen to stash).

    Well, things have changed. I’d watched a couple of reviews of the Airpods Pro Gen. 2 from serious audio reviewers, and I’d found the Beats Studio Buds (another Apple product) on super sale and had been enjoying them for a few weeks, so I decided to give the Airpods Pro a shot. And holy hell, Apple has figured true wireless out.



    Sound.

    The sound is great, both listening to music and taking calls. The sound on earbuds is probably never going to really compete with a pair of serious open-backed cans (the entire top row), particularly when driven by a decent DAC/amp, but honestly these beat all of my other Bluetooth-based headphones pretty handily. The bass is surprisingly good and nimble, even on tracks like “Teardrop” by Massive Attack or “Got ‘Til its Gone” by Janet Jackson, and even manages to really get the almost-nauseating sub-bass wobble on “Limit to your Love” by James Blake. “Wow” by Post Malone absolutely pops. Treble is crisp, and vocals hold up. The dynamics are a bit compressed compared to most of my other headphones; you don’t get the same incredible build up and crescendo in “It’s All So Incredibly Loud” by Glass Animals as you do on a more transparent system, but it’s still quite servicable.

    It’s still Bluetooth, and it’s locked to Apple’s proprietary AAC file format so you’re always getting a lossy signal, but Apple designed the system from the ground-up and the on-board chip is pretty impressive, so you’re getting probably the best version of Bluetooth possible.

    Noise canceling.

    The noise cancelling is about as good as you’re going to get in an earbud, which is to say no where near as good as the Bose 700s (second row, far left) or even Beats Studio Wireless (second row, fourth from left), but they crush the Bragi Dash (third row, far left) and the Jabra Elite 65t (third row, second from the left). Transparency mode is also pretty well done; the sound feels a little more natural and you’re able to hear everything around you (like right now, for instance, I can hear Denali scratching in my living room and my keyboard taps) which is nice when you’re in an environment where you need to be aware of your surroundings. I live alone and don’t really need ANC most of the time, and I’d want a better system for airplanes, but I’m sure it will be convenient in the office when I don’t want to take the time to set up my dongle DAC.

    Spatial audio.

    This was the part that most surprised me. ATMOS/spatial audio is different for music than for movies, and different on headphones than on speakers (you don’t get the same sense of things moving in space around you, for example), but you do get a pretty impressive soundstage, both horizontally and vertically. I might turn off the auto adjusting that shifts sounds when you move your head around; while it’s entertaining, I mostly want to hear things the way they were mastered. It’s pretty cool to hear the synths/organ on “Riders on the Storm” by The Doors sitting waaaay to the left, and the guitar riffs far to the right, and the way the storm moves around is an interesting experience. And if you haven’t heard Fleetwood Mac’s self-titled album or “Tusk” mastered in ATMOS, they’re a treat and worth finding someone who’s made the investment. I don’t think any headphone setup is ever going to match a real speaker-based ATMOS system (and certainly earbuds won’t), but it’s a really clever and interesting implementation and the ATMOS catalog is only growing. (And it’s free for anyone who subscribes to Apple Music; lossless and ATMOS are free on any track they have mastered in that format!)

    Connectivity.

    If you’re an Apple person, these will just work. They seamlessly connect to both of my iPhones (work and personal), it’s really easy to connect them to my MacBook and iMac, and it’s trivial to connect any of my AppleTVs to them. In fact, one of my favorite use cases right now is using them for music or YouTube while I’m cooking, as the HomePod mini in my kitchen is a little hit or miss these days. I haven’t tried connecting them to a Windows machine yet, but everything I’ve read makes me think it’s not particularly difficult. And I don’t own any Android devices to test them on.

    Value.

    It’s Apple. They’re expensive. They’re always expensive. Costco has them for $239, but that’s more than MSRP on all but maybe five or six of the headphones I own (to be fair, I haven’t payed MSRP for most of this collection). That said, as almost anyone with other Apple products knows, you do mostly get what you pay for with Apple stuff.

    Overall.

    I’ll throw these in my pocket on my way out of my house most days, along with my wallet/keys/pocketknife/etc. I’m sure I’ll get a chance to test out the integrated “Find my X” and noise-making system soon enough, as the earpieces are slippery little buggers and I’ve already dropped them four or five times. I think I’m going to get out one of my extra watch chargers and rig it by the door so I can just drop them on it when I come in (they accept standard Apple Lightning charging cables, Apple Watch charging fobs, and Qi near-field magnetic charging).

    This is the first time I’ve liked an Apple headphone since that original, cheap wired freebie, and I really didn’t want to like them. They’re just THAT good.

    #reviews #headphones #apple #anc #bluetooth #spatialaudio #earbuds #iem #damnit

  • [Tl;dr: The Apple AirPods Max are a really good set of headphones with a rich feature set, broad utility, and all-around good sound. They do have a few flaws, and they’re REALLY expensive. I probably wouldn’t pay MSRP for them right now given the other options out there, but they’re still a really well-designed and built piece of hardware that are easy for people already in the Apple ecosystem.

    Scores:
    Cost-agnostic: 8 out of 10 Denalis
    Cost-sensitive: 6 out of 10 Denalis.]

    Sound. The sound is deep and rich, with really impressive bass and sub-bass response for a headphone. It’s still weird to hear the low bass rumble clearly without feeling it in my chest, but the response is nimble and crisp, with very little lagging or blurring even during sections with rapid movement (like Massive Attack’s “Paradise Circus”). It even does a pretty good job of reproducing some intentionally-mastered splatter (like in Robert Glasper’s “Treal” (ft. Yasiin Bey)). That said, the bass is a little punchy in some hip hop and EDM. It’s not enough to bother me, but YMMV and there’s no real EQ options (beyond Apple’s general accessibility settings).

    Treble is very clear without being harsh, and generally well balanced with the mid-range/vocals at normal listening levels. At very low volumes the treble is a little more forward and the vocals get a little muddled, and at high volumes the vocals on tracks like Young Father’s “Holy Ghost” get a bit washed out by the treble. I’m generally pretty happy with the vocal reproduction on everyone from The National’s Matt Berninger baritone to Jonsi’s ethereal upper register. It’s crispy with acoustic music like Iron & Wine’s “Woman King” or Jose Gonzalez’ “Crosses”, and I swear I’m hearing subtle background noises like hands sliding on guitar bodies in the backround that I haven’t heard before. Same with Yo-Yo Ma’s cello on Goat Rodeo Sessions; I feel like I’m getting more of the music than I have before, which I appreciate.

    Stereo separation is very clear with a distinct sound stage (i.e. you can tell where instruments were relative to microphones during recording), and like the AirPodsPro, spatially-mastered audio gives an incredible boost to the breadth and depth of the sound stage.

    The only real criticism I’d offer is that the dynamics aren’t particularly great—on a track like “It’s All So Incredibly Loud” by Glass Animals, I want to hear a slow crescendo throughout the song, and I don’t feel like I get that very much out of the AirPods Max. The entire dynamic range feels compressed. This problem seems to be exacerbated with noise canceling on, and reduced a bit with transparency mode active. Overall, I’d say that these headphones are not the best at quiet or very loud listening, though I don’t think I’ve ever heard a pair of ANC or Bluetooth headphones that I thought were, other than the Pro2. Which sort of makes sense, right? These kinds of headphones are designed to separate you from the world.

    Overall take on the sound quality: the Max make well-mastered songs sound great, and punish ones that aren’t so well mastered. There are definitely some songs that I would not listen to on them (August Alsina’s “Hip Hop”, Born Gold’s Bodysongs album, almost anything by RHCP, etc.). They also punish non-lossless audio.

    Pro-tip: fit matters. If they’re riding on your ears instead of around them, they can sound tinny and distorted, so it’s worth making sure that they’re properly sitting on your head.

    Disclaimer from the AirPodsPro Gen 2 review: It’s still Bluetooth, and it’s locked to Apple’s proprietary AAC file format so you’re always getting a lossy signal, but Apple designed the system from the ground-up and the on-board chip is pretty impressive, so you’re getting probably the best version of Bluetooth possible.

    Noise canceling. This is a standout for these headphones. The passive noise canceling (with ANC/transparency turned off) is pretty good; the cups form a decent seal on their own, and when you turn the ANC on, it’s like stepping into a quiet room from a noisy one. Even sitting at my desk with my KEF LSXs playing at reasonable volume, I can feel the bass from the speakers but can’t hear them at all with the Max at less than half volume.

    Maybe my favorite things about these headphones (and the Pro2) is the really excellent transparency mode. I work in the office a couple of days a week in a pretty-high traffic area (I back up to a hallway that leads to a coworking area and a number of conference rooms), and I really like being able to hear my colleagues when they’re moving around and trying to talk to me. Same when walking Denali; I’d like to know if someone is coming up to us, or if one of my neighbors wants to talk EVs. And being able to wear a pair of headphones where I can transition from being aware of my environment to being acoustically isolated at the press of a button is really, really nice.

    Spatial audio. I think the implementation of spatial audio on the Max actually lags the Pro2; it’s really well done, but the sense of space just isn’t quite as pronounced. That may be a result of the new H2 chip in the Pro2 just being better than the H1 in the Max, and I’ll be curious to see if Apple announces a new Max2 with the upgrades included in the Pro2 soon. [Side note: Apple’s current method of rolling out updated versions across their entire products line is … weird. Selling an M2-driven Macbook Air but not a MacBook Pro was … a choice.]

    The quality of spatial mastering is, as always, widely varying. This sound great with well-mastered spatial music (in particular, Rumours by Fleetwood Mac is one of the very best, but Apple Music has an entire playlist of mostly-well mastered spatial music that’s worth checking out).

    Controls. They’re really good. Apple’s figured this piece out. The headphones have two controls built in: a crown dial (which you’ll recognize if you have an Apple Watch) behind the right yoke and an oblong button in front of the right yoke. By default the crown controls play/pause/skip (with the same press combinations as any Apple-compatible headphone) and volume (by spinning, and you can pick which direction raises the volume), and the button controls audio mode (default toggles between ANC and transparency, though you can change that). The mic in the headphones also listens for Siri commands by default, and it’s a really slick implementation that lets you pick music/make calls/control smart devices without having to take a phone out of your pocket, press a button, or raise a watch. It’s pretty great when your hands are full or otherwise being used, and the Siri implementation can use a connection to an unlocked Apple Watch to activate secure devices through HomeKit (like August door locks).

    Some people might miss touch connectivity, but I find those kinds of controls not so great, especially in a place that rains as much as Olympia. The headphones also pause by default when you take off one earphone, which I may end up disabling.

    The one thing it’s lacking that I really miss is an off switch. These turn off when you put them into the provided Smart Case, and if there’s a way to turn them off otherwise I haven’t found it yet. That’s fine as long as you don’t throw the headphones on and forget to bring the case with you … but it just feels like a strange omission for a premium pair of headphones.

    Connectivity. This is the other thing that Apple’s just figured out. As long as you’re in the Apple ecosystem, it’s slick. I regularly carry two iPhones and an AppleWatch, and it’s pretty seamless connecting to any of those devices (or one of my Macs or Apple TVs). The connectivity to Windows is a little shakier and less consistent, and I had a weird issue this morning where the Max weren’t recognized by my iPhone when I took them out of the Smart Case, but I did run a software update last night on my phone.

    Comfort. They’re pretty comfortable, even after four or five hours. They’re definitely heavier than most headphones I’ve owned, but the weight is pretty well distributed and the clamping force works for my head size/shape.

    Construction. These headphones are SOLID. They’re very heavy, and the yoke feels quite durable. I was really skeptical about the Smart Case at first because it leaves the yoke exposed (and my experience has been that that’s the second-most likely candidate for breakage, after cables), but once you’ve spent a day with them you really stop worrying about damaging that. Initially I figured I’d have to go buy an aftermarket case, but I’ve been throwing the Max in their case in my bag for a couple of weeks with zero concern.

    Like the Bose 700s, these don’t fold for easy transportation which seems like a silly choice for a headphone in this price range, but the included case does at least make them flat and easy to drop in a bag.

    Charging is standard Apple lightning (though I’d imagine they’ll have to switch to standard USB-C to accommodate the EU’s rule change soon), and it looks like it supports the faster PD charging standard when plugged in via a high-power USB-C charging brick.

    Appearance. They’re Apple products. They’re pretty. They don’t stand out quite as much as the original white earbuds did, but they’re not particularly subtle either. Mine are the sky-blue color and I really dig it. The ear cups are held in place via magnets and easy to swap out if you want something else, and there are cheaper after market options if you’re not worried about degrading audio/ANC quality.

    Value. Apple products are never cheap. Usually what you get is pretty close to actual comparable products though, once you get into the specs. Here’s the real rub with the Max: these are $550 headphones at MSRP (though it looks like Amazon is selling them for $479, or $380 renewed as of 11/6/22). I don’t own any headphones in that price range, and that’s not an accident. That’s a lot. There are a few other models in this general price range now (Focal makes the Bathys, Mark Levinson makes the No.5909, etc.), but I’m not going to be buying any of them to compare.

    Compared to what I do have (or have had): are they better headphones than the Bose 700 ($379), Beats Studio3 Wireless ($220), Bose QC35 ($360), B&O Beoplay H4s ($300), Sony WH-1000XM4 ($250), or AirPodPro2 ($240)? Yes. Yes they are. And it’s particularly close. But are they $100-310 better? I … don’t really think so. I got mine used from Mercari for ~$300 and I’d pay that again when I either lose or break these. I don’t think I’d be able to justify paying MSRP for them, but I guess we’ll see how used I get to having them around!

    Overall. They’re great headphones, and I’m glad that I have them. I’ve been wearing them at work and I think I’ll continue to do so on days when I don’t want to mess with my desktop DAC/amp, and they’re particularly good for walking Denali in the rain or working around my house when I’m moving around a lot. The ease of connectivity makes them helpful when I’m around other people that might be disturbed by loud music, and that’s a value-add.

    My takeaway from the Pro2 was that while I have headphones that are better than them for any specific situation, the Pro2 gets me to 80% on all situations, and they fit easily in my change/watch pocket so I’m pretty much always carrying them these days. I think the Max is the inverse; while none of my other ANC Bluetooth headphones are better for any specific situation, a couple of them get me 80% of the way there (for around half the price) and are more easily transportable. The Max are quite large and heavy, and I have to plan around taking them with me. That said, I don’t think any of my existing headphones beats them for uses where noise canceling matters, and I think they will displace the Bose 700s as my go to travel headphones.

    #reviews #headphones #apple #anc #bluetooth #spatialaudio #overear #cans